El Rey de La Habana
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| # | Tor | Artysta/Kompozytor | Czas |
|---|---|---|---|
| 1. | Azotea | 0:59 | |
| 2. | Títulos de crédito | 2:28 | |
| 3. | Escapada del Rey | 1:25 | |
| 4. | Rey | 1:21 | |
| 5. | Vuelta a casa | 1:19 | |
| 6. | Policía | 0:34 | |
| 7. | Encuentro transexual | 2:04 | |
| 8. | Éramos pobres | 0:38 | |
| 9. | Cementerio | 1:55 | |
| 10. | Photocall | Bicicleta | 1:33 |
| 11. | Tu masa viene a ayudar | 2:32 | |
| 12. | Estoy embarazada | 1:12 | |
| 13. | Jo, que lindo | 1:16 | |
| 14. | Lo mataste | 1:24 | |
| 15. | Una no es de piedra | 0:44 | |
| 16. | Hice la casa | 1:09 | |
| 17. | Te traigo un pollo | 1:00 | |
| 18. | Y nuestro nińo | 0:22 | |
| 19. | Ese humo, qué cosa… | 2:25 | |
| 20. | Farmacia | 0:49 | |
| 21. | ˇA la fila! | 0:36 | |
| 22. | Reencuentro | 3:19 | |
| 23. | Resignación | 0:53 | |
| 24. | Respetando a tu marido | 2:40 | |
| 25. | Entierro | 1:24 | |
| 26. | Suite del Rey de La Habana | 8:23 | |
| 44:24 |
Joan Valent has composed the music for the new film by Agusti Villaronga, about the difficult life of a young man and two women in Cuba in 1995.
The soundtrack moves between melodic passages and blocks most dramatic type. Salsa music also impregnates the score, with dynamic, dance and easy listening passages.
The music is in charge to lead us through the life of the protagonists, trying to get ahead in the midst of economic and personal dificultes. The dramatic character walks along the composition and alternates with a contagious music and upbeat rhythm.
The soundtrack moves between melodic passages and blocks most dramatic type. Salsa music also impregnates the score, with dynamic, dance and easy listening passages.
The music is in charge to lead us through the life of the protagonists, trying to get ahead in the midst of economic and personal dificultes. The dramatic character walks along the composition and alternates with a contagious music and upbeat rhythm.