The Wrong Man
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| # | Tor | Czas | |
|---|---|---|---|
| Side A | |||
| 1. | Hitchcock | ||
| 2. | Prelude | ||
| 3. | The Hallway | ||
| 4. | 5am | ||
| 5. | The Car | ||
| 6. | The Store | ||
| 7. | The Second Store | ||
| 8. | Fingerprints | ||
| 9. | The Cell I | ||
| 10. | The Cell II | ||
| 11. | Police Van | ||
| 12. | Felony Court | ||
| 13. | The Tank / Handcuffs |
| # | Tor | Czas | |
|---|---|---|---|
| Side B | |||
| 1. | The Door | ||
| 2. | Bob | ||
| 3. | The Telephone | ||
| 4. | Farmhouse | ||
| 5. | The Bridge | ||
| 6. | 3rd Floor | ||
| 7. | Alibi | ||
| 8. | The Glove | ||
| 9. | The Mirror | ||
| 10. | The Parting | ||
| 11. | Prayer | ||
| 12. | Stork Club | ||
| 13. | Finale |
The Wrong Man was a unique project for the legendary Alfred Hitchcock. undertaken as a flamboyant experiment with neorealism, it differs significantly from his most famous films in both style and substance. Similarly, Bernard Herrmann’s minimalist score took simple device already in evidence in his previous film work to an unprecedented extreme. While Hitchcock never again attempted such an austere and moody work, the brooding score laid the groundwork for much of the rest of Herrmann’s career.
Inne wydania muzyczne The Wrong Man (1956):
