Die kommenden Tage
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| # | Tor | Artysta/Kompozytor | Czas |
|---|---|---|---|
| 1. | Ouverture | 2:27 | |
| 2. | Ein schwarzer Tag | 1:20 | |
| 3. | Flashmob | 1:22 | |
| 4. | Die schwarzen Stürme | 2:09 | |
| 5. | Konstantin und Laura | 1:05 | |
| 6. | To the Light | Carmen Vermillion | 3:11 |
| 7. | Hans und Laura | 1:55 | |
| 8. | Der Sammler | 2:43 | |
| 9. | Der Tod und das Mädchen (Auszug) (II Andante con Moto, Franz Schubert) | 1:50 | |
| 10. | Astronautenplan | 1:26 | |
| 11. | In den kommenden Tagen | 2:22 | |
| 12. | Anschlag der Schwarzen Stürme | 2:33 | |
| 13. | Darwins Bilder | 2:56 | |
| 14. | Deutsche Truppen in Turkmenistan | 2:18 | |
| 15. | Die Bombe | 3:10 | |
| 16. | Heimkehr | 0:53 | |
| 17. | Lieber Philipp | 2:26 | |
| 18. | November 2010 | 1:48 | |
| 19. | Leben in den Bergen | 1:27 | |
| 20. | Finale | 3:44 | |
| 21. | Bring mich nach Hause | Wir sind Helden | 5:01 |
| 48:06 |
Original Motion Picture Soundtrack
Music by Christoph M. Kaiser & Julian Maas
In the opening few seconds of the trailer for Lars Kraume’s The Days to Come (Die kommenden Tage, or The Coming Days as it’s referred to in some places) was looking like your average drama. But then there’s this little scene, quick and inconspicuous, that suggests otherwise. The deal here? The near future. Perhaps even the apocalypse. Check out the official synopsis:
THE DAYS TO COME is the story of an upper-middle-class Berlin family on their personal journey from the present into a near future, a journey into a time of uncertainty and major changes. Due to a rare antibody reaction, Laura Kuper has to choose between her desire to have children and Hans the love of her life. Her sister Cecilia is driven into the abyss of a newly emerging terrorist movement by her unrequited love to Konstantin. And then there is Philip, the youngest child of the family, pulled into a hopeless war for Germany, over the few remaining oilfields of Asia.
A destabilized family tackles a destabilized world, entering their future with all their hopes and fears. Essentially, a family drama set to the backdrop of world collapse.
Music by Christoph M. Kaiser & Julian Maas
In the opening few seconds of the trailer for Lars Kraume’s The Days to Come (Die kommenden Tage, or The Coming Days as it’s referred to in some places) was looking like your average drama. But then there’s this little scene, quick and inconspicuous, that suggests otherwise. The deal here? The near future. Perhaps even the apocalypse. Check out the official synopsis:
THE DAYS TO COME is the story of an upper-middle-class Berlin family on their personal journey from the present into a near future, a journey into a time of uncertainty and major changes. Due to a rare antibody reaction, Laura Kuper has to choose between her desire to have children and Hans the love of her life. Her sister Cecilia is driven into the abyss of a newly emerging terrorist movement by her unrequited love to Konstantin. And then there is Philip, the youngest child of the family, pulled into a hopeless war for Germany, over the few remaining oilfields of Asia.
A destabilized family tackles a destabilized world, entering their future with all their hopes and fears. Essentially, a family drama set to the backdrop of world collapse.
Inne wydania muzyczne Die kommenden Tage (2010):
