Memoirs of Victoria: Blaze · Female Flower
(Digital) 烈焰 · 女花 (原创电影音乐)
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| # | Track | Duration | |
|---|---|---|---|
| 1. | 烈焰 · 女花（电影《梅艳芳》导演版配乐节选） | ||
| 2. | 姊妹：后台的日与夜（电影《梅艳芳》导演版配乐节选） | ||
| 3. | "A"，永远第一（电影《梅艳芳》导演版配乐节选） | ||
| 4. | 歌手的第一步（电影《梅艳芳》导演版配乐节选） | ||
| 5. | 事业高飞（电影《梅艳芳》导演版配乐节选） | ||
| 6. | 初戀（电影《梅艳芳》导演版配乐节选） | ||
| 7. | 甜酒（电影《梅艳芳》导演版配乐节选） | ||
| 8. | 最快乐的时光（电影《梅艳芳》导演版配乐节选） | ||
| 9. | 日本（电影《梅艳芳》导演版配乐节选） | ||
| 10. | 告一段落（电影《梅艳芳》导演版配乐节选） | ||
| 11. | 迷失（电影《梅艳芳》导演版配乐节选） | ||
| 12. | 不要跟她说我在（电影《梅艳芳》导演版配乐节选） | ||
| 13. | 奉陪到底（电影《梅艳芳》导演版配乐节选） | ||
| 14. | 姊妹：调好的关系（电影《梅艳芳》导演版配乐节选） | ||
| 15. | 泰国的节奏（电影《梅艳芳》导演版配乐节选） | ||
| 16. | 对不起（电影《梅艳芳》导演版配乐节选） | ||
| 17. | 姊妹：成长的时光（电影《梅艳芳》导演版配乐节选） | ||
| 18. | 新的方向（电影《梅艳芳》导演版配乐节选） | ||
| 19. | 不要把我忘记（电影《梅艳芳》导演版配乐节选） | ||
| 20. | 二零零三年四月一号（电影《梅艳芳》导演版配乐节选） | ||
| 21. | 在黑暗里的希望（电影《梅艳芳》导演版配乐节选） | ||
| 22. | 日本，十七年後（电影《梅艳芳》导演版配乐节选） | ||
| 23. | 错过了的幸福（电影《梅艳芳》导演版配乐节选） | ||
| 24. | 一个人的婚礼（电影《梅艳芳》导演版配乐节选） | ||
| 25. | 只要有信心，无难事（电影《梅艳芳》导演版配乐节选） |
Memoirs Of Victoria - 烈焰 · 女花 (原创电影音乐)
Added on Wednesday, February 16, 2022
Plaza Mayor Company Ltd presents the soundtrack for Memoirs Of Victoria (Original Motion Picture Soundtrack) by Director Longman and Music by Elliot Leung
Plaza Mayor Company Ltd presents the soundtrack for Memoirs Of Victoria (Original Motion Picture Soundtrack) by Director Longman and Music by Elliot Leung
It was a very refreshing for me to musically reimagine Hong Kong in the previous era. In this delicate score, I crafted three themes, which are first introduced, and then later interwoven interactively. I also loved the opportunity to feature solos played by the accordion, the samisen, the cello and the violin. Overall, it was a pleasant experience and I'd like to thank Director Lok Man Leung and the production entrusting me with my unique creative approach.
- Elliot Leung - Composer
Elliot's fresh and bold approach to his composition injected new life into the film gracefully. It was a pleasure working with him and I greatly enjoyed his music.
- Longman Leung Lok Man - Director
Elliot Leung
Elliot Ho Yat Leung is a widely sought-after composer who has composed for the highest-grossing international blockbusters and productions. His music has been described as being 'audio-graphically visual' by The Standard, and being able to 'tug the audience's heartstrings' by Sina News. The South China Morning Post observed Mr. Leung as 'a seasoned composer who enhances the magic of cinema.'
Leung is a film composer best known for his blockbuster symphonic scores, most notably for the highest grossing non-english film of all time, The Battle at Lake Changjin. His other box office wonder films include Operation Red Sea and The Rescue. Leung works very closely with director Dante Lam, and has also collaborated with many other notable artists; namely actress Xin Zhilei (Brotherhood of Blades), Art Director Martin Laing (The Titanic, Pearl Harbour) and DP Peter Pau (Crouching Tiger Hidden Dragon). Since 2014, Leung's music has been played back more than 10,000,000 times on major televised platforms like CCTV, TVB, HKBN and NowTV. His music is released by Milan Records and Sony Classical.
Leung’s musical output has also reached many other concert stages. His concert suite from “Operation Red Sea” was performed in the National Centre for the Performing Arts in 2018, and was then used to open the 8th Foshan Film Festival in 2019. His quintet “I, Consciousness,” a multi-movement chamber work commissioned by the RTHK Chamber Soloists exhibited “a fresh approach to musical storytelling.” In 2014, his choral music was highly praised by The Honourable Bernard Chan of the Hong Kong Executive Council. Furthermore, his reimagination of Descendants of the Dragon was featured as part of the 20th anniversary of Hong Kong Handover celebrations.
Leung began his musical training at age 5 in the Hong Kong Academy of Performing Arts under Mr. Laurent Perrin. As a result of his musical excellence, he was selected to perform in the 'Charming China Youth Arts Festival (亞洲藝術盛典 · 魅力中國)' during his secondary school years. He holds a Bachelor of Music degree in Music Composition from Wheaton Conservatory of Music, where he studied with Martin O' Donnell, David M. Gordon and Shawn E. Okpebholo.
Visit the Composer Site !
Traces the life of Anita Mui, Hong Kong's disappeared Cantopop star.
As someone who grew up listening to Anita Mui's music, this movie was nostalgia and equally as captivating. Beautifully shot, with amazing CGI work done to bring back some of the old Hong Kong infrastructure, the director of this movie really knew the true essence of Hong Kong back in the 80's and 90's. I loved how it focused on the more positive side of her life (without much family drama) because that's how we want to remember Anita by. It was amazing to see her story being told as I believe that this movie will give more exposure to people in my generation these days, and to see how Anita Mui was one of Hong Kong's greatest artists that pioneered the Cantopop genre. I had an amazing experience watching this movie and it's definitely one of the better biopics created in a long time.
It was a very refreshing for me to musically reimagine Hong Kong in the previous era. In this delicate score, I crafted three themes, which are first introduced, and then later interwoven interactively. I also loved the opportunity to feature solos played by the accordion, the samisen, the cello and the violin. Overall, it was a pleasant experience and I'd like to thank Director Lok Man Leung and the production entrusting me with my unique creative approach.
Elliot Leung - Composer
Elliot's fresh and bold approach to his composition injected new life into the film gracefully. It was a pleasure working with him and I greatly enjoyed his music.
Longman Leung Lok Man - Director
( - Plaza Mayor Company ltd - )
More info at: Composer Elliot Leung Official Site