Eternal Beauty
Dinked Marble Blue vinyl

Michael Price, one of the UK’s most sought after composers (Unforgotten, Sherlock, Dracula), releases the original soundtrack from director Craig Roberts’ (Submarine, Just Jim) latest feature Eternal Beauty, starring Sally Hawkins.

Limited “Premiere” Dinked Edition (exclusive early physical release)
Marble Blue vinyl
Signed and numbered art print
This premiere edition coincides with the UK cinema and on-demand release of the film Eternal Beauty.

Michael Price, one of the UK’s most sought after composers (Unforgotten, Sherlock, Dracula), releases the original soundtrack from director Craig Roberts’ (Submarine, Just Jim) latest feature Eternal Beauty, starring Sally Hawkins.

The Eternal Beauty soundtrack will be released on vinyl as the 73rd Dinked Edition, exclusive to the Dinked network of the UK’s best independent record shops.

The 16 track Première edition LP – exclusive to the Dinked network – is a limited edition on blue marbled vinyl and includes a signed and numbered print.

Recorded and mixed by Andrew Dudman at Abbey Road Studios and The Control Room.
Mastered by Oli Morgan at Abbey Road Mastering.

Price’s score, as his so often do, serves as a narrator, a character helping to guide us through the true highs and lows of Jane’s (Sally Hawkins) rarely uneventful life. Price’s signature sweeping strings, underpinned by piano and a beautifully restrained use of sound design ensures that whilst the score drives the story forwards it never distracts from that which is unfolding before our eyes.

On writing the music, Michael Price explains:
“Finding a musical voice for Jane was a little daunting at first. Craig Roberts’ kaleidoscopic writing, and Sally Hawkins’ blazing performance seemed to fill so much of the air around me, that the first few notes to emerge were tiny and bird-like. In fact, there is literally bird-song, an Irish nightingale, that stayed in the score, early in the film when Jane sits and feeds the pigeons in the park. That became a key to unlocking Jane’s interior world, as did using snippets of her vocalisations, which became percussion instruments and stretched into more ambient pads. Once I had opened the door to her world, though, the music came tumbling out – rich, romantic, delicate and tender, and sometimes terrifying. All of it brought into life by the writing and performance, and the opportunity to celebrate Jane’s “superpower”, as Craig described it.”

More info at: Official movie website