Sono un fenomeno paranormale - Babascị
I'm an ESP


Digitmovies 02/22/2018 CD (8032628992889)
Movie Film release: 1985
 

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# Track   Duration
The Original Album
1.Overture-Gotta Get Away From You4:30
2.Fly As High As You Can2:30
3.Babascị2:30
4.Trip To Wonderland2:05
5.Persistently You1:25
6.Elephant Love Call1:54
7.Half Way To The Moon2:05
8.Summer Is You1:47
9.You Persistently You2:24
10.Teasing1:28
11.Love In Flight1:44
12.I'll Go On Loving You3:08
13.Double Intrigue3:29
14.Storm In A Tea Cup1:33
15.Half Way To The Stars2:29
16.Devil Of Mine3:10
 
Film Versions and Alternates
17.Half Way To The Stars (#2)2:31
18.Trip To Wonderland (Sax Version)2:56
19.Half Way To The Moon (Strings Version Take 1)1:05
20.Babascị (Sitar)1:42
21.Gotta Get Away From You (Take 1)3:21
22.Devil Of Mine (Strings Introduction)0:41
23.Elephant Love Call (Sitar, Flute And Percussions)2:50
24.Gotta Get Away From You (Night Club Rock Sax And Trumpet)2:51
25.Half Way To The Moon (Strings Version Take 2)0:58
26.Fly As High As You Can (Magic Flutes Take 1)1:21
27.Storm In A Tea Cup (Complete Take)1:31
28.Babascị (Indian Village / The Cave Scene)2:03
29.Babascị (Cellos And Moog Take 1)0:57
30.Half Way To The Moon (Strings Version Take 3)0:56
31.Babascị (Dance Scene Sitar And Flute)1:45
32.Fly As High As You Can (Female Vocalism Version)3:11
33.Babascị (Suspence)2:25
34.Babascị (Strings Only)0:53
 72:07
# Track   Duration
Film Versions and Alternates (cont.)
1.You Persistently You (Long Version)4:08
2.Half Way To The Moon (Female Vocalism Version)0:57
3.Babascị (India 1)1:13
4.Devil Of Mine (Swing Version)3:28
5.Half Way To The Moon (Alt. Female Vocalism Version)1:53
6.Fly As High As You Can (Magic Flutes Take 2)1:14
7.Babascị (India 2)1:14
8.Babascị (Cellos Take)1:01
9.Gotta Get Away From You (Night Club Rock)2:50
10.Babascị (India 3)1:17
11.Fly As High As You Can (Slow Flutes Version)1:08
12.Half Way To The Moon (Orchestra Version)3:50
13.Gotta Get Away From You (Night Club Rock Alt. Take)1:11
14.You Persistently You (Muted Strings)3:17
15.Babascị (Tablas And Female Vocalism)2:16
16.You Persistently You (Rhythmic Version With Female Vocalism)3:11
17.Babascị (Bathrooms Background)4:16
18.Babascị (Suspence 2)0:58
19.Storm In A Tea Cup (Effected Rhythmic Take 2)1:31
20.Babascị (Viola 1)1:43
21.Half Way To The Moon (Strings And Rhythmic)2:30
22.Babascị (Dance Scene Complete Version)1:44
23.You Persistently You (Main Titles Orchestra)3:11
24.I'll Go On Loving You (Swimming Pool Party)3:10
25.Trip To Wonderlan D (Rhythmic And Electric Piano)2:54
26.Half Way To The Moon (Strings Version)1:54
27.You Persistently You (Main Titles Rhythmic Version)3:12
28.Trip To Wonderland (Piano And Rhythmic)3:27
29.You Persistently You (Main Titles Vocalism Version)1:27
30.Babascị (Rhythmic N° 1 Woods Only)1:02
31.Half Way To The Moon (Muted Strings Version)1:01
32.Babascị (India 6)0:44
33.I'll Go On Loving You (Night Club Rock Intro)0:37
34.Half Way To The Moon (Magic Female Vocalism)2:11
 71:40
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Sono un fenomeno paranormale - Babascị

Added on Thursday, March 15, 2018  

Sono un fenomeno paranormale - Babascị

Digitmovies is pleased to release for the absolute first time, a double CD with the OST by Piero Piccioni for the comedy 'I'm an ESP' (aka 'Babascị,' original language title “Sono un Fenomeno Paranormale”).
SOUNDTRACK:Piero Piccioni composed one of his most brilliant soundtracks for this film. He uses sentimental and elegant themes to accompany the protagonist on his journey from Italy to India, including numerous pieces using sitar and tablas. On this OST, Edda Dell'Orso and her crystal voice is the exceptional guest star we can hear on numerous tracks. Originally, General Music had released an LP (GM 30720) containing sixteen tracks in stereo. For our double album (total length 146: 32) we’ve included over an hour and a half of new material with film versions and alternate takes which we discovered in addition to the original master which had been assembled for the album. This album proves the artistic greatness of Piero Piccioni once again, not only for the huge amount of material recorded (most of which was not used in the film), but also the high quality of the scores, which are reprised in different versions and with different instruments.



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