Best John Huston Movie Themes
The Directors Series
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| # | Track | Artist/Composer | Duration |
|---|---|---|---|
| 1. | Main Title (The Maltese Falcon, 1941) | Adolph Deutsch | 1:20 |
| 2. | Main Title (Across the Pacific, 1942) | Adolph Deutsch | 1:18 |
| 3. | Suite (The Treasure of Sierra Madre, 1948) | Max Steiner | 5:23 |
| 4. | Finale (The Treasure of Sierra Madre, 1948) | Max Steiner | 1:40 |
| 5. | Main & End Titles (We Were Strangers, 1949) | George Antheil | 2:22 |
| 6. | Suite (The Asphalt Jungle, 1950) | Miklós Rózsa | 5:39 |
| 7. | Suite (The African Queen, 1951) | Allan Gray | 5:36 |
| 8. | Main & End Titles (The Red Badge of Courage, 1951) | Bronislau Kaper | 1:40 |
| 9. | Main Theme (Moulin Rouge, 1952) | Percy Faih & Felicia Sanders | 3:18 |
| 10. | Suite 1 (Moby Dick, 1952) | Philip Sainton & Louis Levy And His Orchestra | 4:31 |
| 11. | Suite 2 (Moby Dick, 1952) | Philip Sainton & Louis Levy And His Orchestra | 6:11 |
| 12. | Main Title (The Barbarian and the Geisha, 1958) | Hugo Friedhofer | 4:08 |
| 13. | Overture (The Roots of Heaven, 1958) | Malcolm Arnold | 4:47 |
| 14. | Prelude & Main Title (The Unforgiven, 1960) | Dimitri Tiomkin | 5:08 |
| 15. | Main Theme (The Misfits, 1961) | Alex North | 2:23 |
| 16. | Main Title (Freud, 1962) | Jerry Goldsmith | 3:24 |
| 17. | Prologue & Main Title (The List of Adrian Messenger, 1963) | Jerry Goldsmith | 2:05 |
| 18. | Main Theme (The Night of the Iguana, 1964) | Benjamin Frankel | 4:08 |
| 65:01 |
Best John Huston Movie Themes
Added on Friday, May 03, 2024
Disques CinéMusique presents a new compilation!
Disques CinéMusique presents a new compilation!
Available to download on The Director Series :
John Huston Movie Themes
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Hollywood glory came to him again in association with Bogart and Warner Brothers'. The Treasure of the Sierra Madre (1948), a classic tale of gold, greed and man's inhumanity to man set in Mexico, won John Oscars for both director and screenplay and his father nabbed the 'Best Supporting Actor' trophy. John can be glimpsed at the beginning of the movie in a cameo playing a tourist, but he wouldn't act again on film for a decade and a half. With the momentum in his favor,
John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including Key Largo (1948) and The African Queen (1951) (both with Bogart), The Asphalt Jungle (1950), The Red Badge of Courage (1951) and Moulin Rouge (1952). Later films, including Moby Dick (1956), The Unforgiven (1960), The Misfits (1961), Freud (1962), The Night of the Iguana (1964) and The Bible in the Beginning... (1966) were, for the most part, well-regarded but certainly not close to the level of his earlier revered work. He also experimented behind-the-camera with color effects and approached topics that most others would not even broach, including homosexuality and psychoanalysis.
( - See IMDB John Huston's biography )
More info at: Official Web Site Disques CinéMusique
More info at: Official Web Site IMDB