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Pista
|
Artista/Compositor |
Duración
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| The King and I, musical | | |
1. | Overture | | 3:28 |
2. | I Whistle A Happy Tune | Gertrude Lawrence | 2:45 |
3. | My Lord And Master | Doretta Morrow | 2:09 |
4. | Hello, Young Lovers | Gertrude Lawrence | 3:12 |
5. | March Of The Siamese Children | | 3:19 |
6. | A Puzzlement | Yul Brynner | 3:36 |
7. | Getting To Know You | Gertrude Lawrence | 3:32 |
8. | We Kiss In A Shadow | Larry Douglas / Doretta Morrow | 3:31 |
9. | Shall I Tell You What I Think Of You? | Gertrude Lawrence | 3:29 |
10. | Something Wonderful | Dorothy Sarnoff | 2:38 |
11. | I Have Dreamed | Larry Douglas / Doretta Morrow | 3:31 |
12. | Shall We Dance? | Yul Brynner / Gertrude Lawrence | 3:00 |
| | | |
| Kismet, musical (after works by Alexander Borodin) | | |
13. | Fate | Alfred Drake | 2:32 |
14. | Bazaar Of The Caravans | | 1:15 |
15. | Not Since Nineveh | Henry Calvin / Joan Diener | 3:10 |
16. | Baubles, Bangles and Beads | Doretta Morrow / Richard Oneto | 4:17 |
17. | Stranger In Paradise | Richard Kiley / Doretta Morrow | 4:13 |
18. | He's In Love | Hal Hackett | 2:28 |
19. | Gesticulate | Henry Calvin / Joan Diener / Alfred Drake | 4:26 |
20. | Night Of My Nights | Richard Kiley | 3:43 |
21. | Was I Wazir? | Henry Calvin | 2:18 |
22. | And This Is My Beloved | Henry Calvin / Alfred Drake / Richard Kiley / Doretta Morrow | 4:49 |
23. | The Olive Tree | Alfred Drake | 2:43 |
24. | Finale: Night Of My Nights, Sands Of Time | Alfred Drake / Richard Kiley / Doretta Morrow | 3:04 |
| | | 77:07 |
The original Broadway cast album of Kismet was recorded in December 1953, the same month that the musical opened on Broadway. That means that the album, initially released in the U.S. by Decca Records, went out of copyright in Europe on January 1, 2004, 50 years later. As a public domain property, it is available for unlicensed reissue by anyone who wants to remaster a copy of the old LP. (In the U.S., Universal Music continues to claim copyright.) Living Era is a British label that specializes in such reissues, and in the case of musicals, it likes to pair them up on CDs, since CDs have roughly double the capacity of LPs. (Previous Living Era two-fers include the original Broadway cast albums of Oklahoma! and Show Boat, Annie Get Your Gun and Kiss Me, Kate, Carousel and South Pacific, and Guys and Dolls and Gentlemen Prefer Blondes.) In this case, the label has matched Kismet with the 1951 show The King and I, a logical enough combination since both shows, opening only two years apart, find American songwriters (in the case of Kismet, borrowing from Russian composer Alexander Borodin) going to exotic locations, on the one hand the Baghdad of the Arabian Nights era, on the other Siam in the 18th century. The only problem is a technical one: the two cast albums don't fit into the 80-minute confines of a single CD. Yet this one runs 77 minutes, which means something must be missing, and it is. In fact, five of the 17 selections making up Kismet have been deleted: 'Overture,' 'Sands of Time,' 'Rhymes Have I,' 'Rahadlakum,' and 'Zubbediya, Samaris' Dance.' The resulting disc probably should have been called The King and I and Highlights from Kismet. But there is no indication in the packaging (other than the tracks list, if you know what to look for) that Kismet has been substantially abridged. This is the kind of risk the consumer takes in opting for such unauthorized (if technically legal) product.