# | Pista | Duración | |
---|---|---|---|
1. | The Fall of Berlin, Op. 82: Vorspiel (Prelude) | 2:31 | |
2. | The Gadfly, Op. 97a (assembled by Atovmyan): Volksfest (Fair) | 2:38 | |
3. | The Fall of Berlin, Op. 82: Im Garten (In The Garden) | 2:24 | |
4. | The Return of Maxim (Maxim Trilogy II), Op.45 Walzer (Waltz) | 3:11 | |
5. | King Lear, incidental music, Op. 58a: Lied der Cordelia (Song of Cordelia) | 2:48 | |
6. | Hamlet, Op. 116 (unrelated to incidental music): Ball im schloá (Ball at the castle) | 3:14 | |
7. | The Return of Maxim (Maxim Trilogy II), Op.45 Prolog (Prologue) | 2:27 | |
8. | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a: Walzer | 5:20 | |
9. | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan): Galopp (Galop) | 2:02 | |
10. | Zoya (Who Is She?), Op. 64 (part lost): Tempo di Marcia | 3:25 | |
11. | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan): Introduktion (Introduction) | 6:29 | |
12. | Alone (All Alone), Op. 26 (part lost): Galopp (Galop) | 3:49 | |
13. | Hamlet, Op. 116 (unrelated to incidental music): Im Garten (In The Garden) | 2:11 | |
14. | Five Days - Five Nights, Op. 111: Befreites Dresden (Liberated Dresden) | 6:33 | |
15. | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan): Romanze (Romance) | 5:52 | |
16. | The Fall of Berlin, Op. 82: Die Erstürmung der Seelower Höhen (Storming the Seelov Heigh | 7:51 | |
62:45 |