Enrico Simonetti Trilogy: Amore Mio Non Farmi Male
Sono Tornate A Fiorire Le Rose / Per Amore Di Cesarina
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| # | Spur | Dauer | |
|---|---|---|---|
| 1. | AMORE MIO NON FARMI MALE (Titoli) | 2:17 | |
| 2. | AMORE MIO NON FARMI MALE (inseguimento) | 1:06 | |
| 3. | AMORE MIO NON FARMI MALE (due innamorati) | 2:48 | |
| 4. | AMORE MIO NON FARMI MALE (night club) | 1:47 | |
| 5. | AMORE MIO NON FARMI MALE (amore sexy) | 1:37 | |
| 6. | AMORE MIO NON FARMI MALE (sentimentale pop) | 1:47 | |
| 7. | AMORE MIO NON FARMI MALE (al tramonto) | 1:50 | |
| 8. | AMORE MIO NON FARMI MALE (giornata felice) | 1:48 | |
| 9. | AMORE MIO NON FARMI MALE (gioiosamente) | 1:34 | |
| 10. | AMORE MIO NON FARMI MALE (ballando al night) | 1:51 | |
| 11. | AMORE MIO NON FARMI MALE (Tema principale ripresa) | 2:46 | |
| 12. | AMICIZIA | 3:31 | |
| 13. | SON TORNATE A FIORIRE LE ROSE (Titoli) | 2:40 | |
| 14. | SON TORNATE A FIORIRE LE ROSE (striptease) | 3:08 | |
| 15. | SON TORNATE A FIORIRE LE ROSE (dance mood) | 1:23 | |
| 16. | SON TORNATE A FIORIRE LE ROSE (Mascia) | 2:29 | |
| 17. | SON TORNATE A FIORIRE LE ROSE (bistrot) | 1:13 | |
| 18. | SON TORNATE A FIORIRE LE ROSE (momento comico) | 3:11 | |
| 19. | SON TORNATE A FIORIRE LE ROSE (atmosfera erotica) | 1:44 | |
| 20. | SON TORNATE A FIORIRE LE ROSE (Mascia # 2) | 2:41 | |
| 21. | PER AMORE DI CESARINA (Titoli) | 2:45 | |
| 22. | PER AMORE DI CESARINA (corteggiamento) | 1:05 | |
| 23. | PER AMORE DI CESARINA (vecchio piano) | 2:34 | |
| 24. | PER AMORE DI CESARINA (scena d’amore) | 2:10 | |
| 25. | PER AMORE DI CESARINA (ricordo nostalgico) | 1:14 | |
| 26. | PER AMORE DI CESARINA (momento sacro) | 1:37 | |
| 27. | PER AMORE DI CESARINA (innamorato di lei) | 1:32 | |
| 56:07 |
Repetita Iuvant, as ancient Roman was used to say (repeating helps), and this can’t be more true as in this case.
Maestro Enrico Simonetti, art father of Claudio, also him art son (I apologize for this word play), entered in Beat Records discography in the DDJ series with the release of the astonishing score of GRAZIE NONNA, performed right by the Goblin, comes back with a new proposal, this time connoted by a triple bill, dedicated to Italian comedy.
The popular group, author of great milestones for Italian cinema is among the ground performers of this great Maestro whose discography just recently, thanks to the efforts of our artistic directors and thanks to other friends colleagues (such as Digitmovies and Quartet Records), is brought to sunlight and to most demanding listener’s ears.
Three scores that trace a sentry done by exotica, bossanova rhythms, wide orchestrations, funk stroke plunged at the right moment and romantic dense themes.
A great and very well performed of 3 art moments that absolutely should have not been lost, like tears in the rain.
The CD is in a jewel case featuring a 12 pages booklet illustrated by Alessio Iannuzzi, liner notes by Fabio Babini, mastering by Claudio Fuiano.
Maestro Enrico Simonetti, art father of Claudio, also him art son (I apologize for this word play), entered in Beat Records discography in the DDJ series with the release of the astonishing score of GRAZIE NONNA, performed right by the Goblin, comes back with a new proposal, this time connoted by a triple bill, dedicated to Italian comedy.
The popular group, author of great milestones for Italian cinema is among the ground performers of this great Maestro whose discography just recently, thanks to the efforts of our artistic directors and thanks to other friends colleagues (such as Digitmovies and Quartet Records), is brought to sunlight and to most demanding listener’s ears.
Three scores that trace a sentry done by exotica, bossanova rhythms, wide orchestrations, funk stroke plunged at the right moment and romantic dense themes.
A great and very well performed of 3 art moments that absolutely should have not been lost, like tears in the rain.
The CD is in a jewel case featuring a 12 pages booklet illustrated by Alessio Iannuzzi, liner notes by Fabio Babini, mastering by Claudio Fuiano.