Whispers in the Dark


电影 | 发布日期: 16/04/2012 | 电影发行: 1992 | 格式: CD
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# 跟踪   持续时间
The Score
1.Main Title3:38
2.Making Love2:38
3.Dangerous Sex1:29
4.I Thought I Was The Gentlest Man2:42
5.Eve In Lobby3:06
6.Your Cheeks Are Pink1:56
7.Eve Is Dead1:47
8.John’s Interrogation1:50
9.The Torture5:00
10.The Ledge2:14
11.My Best Friend3:24
12.Trip To Iowa2:16
13.Airport Chase1:58
14.The Revelation9:42
15.Epilogue1:11
16.Goodbye Paul0:36
 
The Extras
17.Flying To Nantucket0:21
18.Eve Masturbates0:41
19.Revealing Doug0:45
20.I Know You Had A Relationship0:30
21.John’s Flyer0:26
22.She Hung Herself0:21
23.Cognac At Night0:40
 49:10
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World premiere release of Thomas Newman score for Christopher crowe thriller from Paramount Pictures, starring Annabella Sciorra, Alan Alda, Jill Clayburgh. Newman creates absolutely fascinating meld of haunting color with tortured complexity for tale of murder, deception. Gently rhythmic, melodically attractive themes anchor while arguably Newman's most intense, complex writing of his career play in dramatic contrast. Newman originally edited half hour of highlights for planned but never-released album. Intrada presents complete score from original digital session masters. Interestingly, finished film makes numerous changes to score as originally conceived. Happily, Intrada had access to all Paramount paperwork courtesy research of Lukas Kendall, including actual composer/director 'spotting notes' identifying placement of cues, possible style ideas, other post-production musical suggestions. Finished film frequently places cues in sequences not originally planned, truncates others, even superimposes some on top of each other. While retaining overall chronology of score as originally conceived, we have retained several of Newman's creative assemblies for aborted 1992 album, bringing nice degree of musical shape to incredibly varied score. For example, Newman planned 'Main Title' to be sensitive, detailed idea that grows in rhythmic density as cue progresses but film instead uses haunting 'Making Love' music intended for later scene. We include both, opening with Newman's preference, then following with love music. Highlights are many but nearly ten-minute 'Revelation' cue certainly stands out. Following 45-minute musically satisfying presentation, we offer four minutes of additional very brief cues for completists! Thomas Newman conducts.
Tech Talk From The Producer…

Thomas Newman created a startling musical soundscape for Whispers In The Dark, employing signature trademarks of unique, extremely transparent instrumental colors—both acoustic and synthesized. The score as conceived and recorded, however, became something considerably different during final production.

In preparing this world premiere release of the complete score, we were given access to Paramount Pictures’ paperwork for the scoring sessions—including the complete director/ composer “spotting” notes, identifying what style of music would be appropriate for each scene and where it would be placed. Along with the scoring session tape logs and final cue sheets, these materials revealed that the music was rarely used in the finished film as originally recorded or even where intended. Yet, curiously— or perhaps even fortuitously—the various chopped-up cues, transposed to other scenes and even superimposed upon each other in the film, sound refreshingly original … and quite dramatic.

At the time of the film’s 1992 release, Newman prepared a DAT album master containing 14 tracks of the score, totaling just over 30 minutes, for an unrealized soundtrack CD. We used this DAT as a reference point in assembling the complete score and discovered that Newman himself made a number of creative assemblies to enhance the overall listening experience. While we have added considerable new music to his short program and have sequenced much of it in chronological order, we have also retained several of his original assemblies to preserve the architecture and musical experience Newman sought.

One noticeable difference from the film sequence is the beginning of the album, consisting of a brief cue titled “Just Images Really” which segues into a never-used version of the main title. This was how Newman wanted to start his album, and we have preserved that opening here. Interestingly, the actual film opens not with “Main Title,” but with a cue intended for a later sequence—“Making Love.” We present that cue as track 2 of our CD.

By comparing the spotting notes with the cue sheets, we have been able to approximate the original picture scoring concept and yet still allow for the creative assemblies Newman envisaged for his album. We are all the beneficiaries—sweet listening!

—Douglass Fake

其他版本 Whispers in the Dark (1992):

Whispers in the Dark (1992)

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