Haunted Honeymoon
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| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | Main Title | 2:49 | |
| 2. | Memory Music/Wolfington Castle | 4:43 | |
| 3. | Car Arrival/Montego Eyes | 2:42 | |
| 4. | The Werewolf/The Drainpipe | 1:37 | |
| 5. | Susan and Dog/''I Know, I Know'' | 1:27 | |
| 6. | Electrical Switch/Gilda’s Walk | 3:17 | |
| 7. | Wine Cellar/Pleasant Dreams | 2:13 | |
| 8. | The Dream | 2:31 | |
| 9. | Garden Revelation/Werewolf and Shovel | 4:40 | |
| 10. | Phone Box/Run and Fight | 5:16 | |
| 11. | Wedding Organ/Werewolf Finale | 1:04 | |
| 12. | End Credits | 1:03 | |
| 13. | Outtake Suite | 3:42 | |
| 14. | Cocktails | 1:39 | |
| 38:43 |
Presenting the premiere release of composer John Morris’ (BLAZING SADDLES, CLUE, YOUNG FRANKENSTEIN) sumptuous orchestral score to the 1986 Orion Pictures feature flim, HAUNTED HONEYMOON, starring Gene Wilder, Gilda Radner and Dom DeLuise, and directed/co-written by Gene Wilder. Produced by Ford A. Thaxton and digitally edited and mastered by James Nelson, this release finally makes available one of John Morris’ most technically spectacular and evocative scores (brilliantly performed by the London Symphony Orchestra). Limited to 1200 Units, this release features exclusive, in-depth liner notes are by film music writer Jeff Bond.
ABOUT THIS RELEASE:
This album was mastered from analog tape elements from John Morris’ personal library, which were dubbed from the original 1/2 inch master at Abbey Road Studios. James Nelson applied some compression and noise reduction in ProTools to achieve the finished master. While some analog tape hiss is present, the wide dynamic range of the source showcases the score’s full-throated London Symphony Orchestra brass performances and Morris’ highly detailed orchestral colors extremely well.
ABOUT THIS RELEASE:
This album was mastered from analog tape elements from John Morris’ personal library, which were dubbed from the original 1/2 inch master at Abbey Road Studios. James Nelson applied some compression and noise reduction in ProTools to achieve the finished master. While some analog tape hiss is present, the wide dynamic range of the source showcases the score’s full-throated London Symphony Orchestra brass performances and Morris’ highly detailed orchestral colors extremely well.
收藏的原声带: Limited Editions
