Don Quixote in Spanish Music
| # | 跟踪 | 艺术家/作曲家 | 持续时间 |
|---|---|---|---|
| 1. | Ausencias de Dulcinea (Dulcinea's Absence) | Joaquin Rodrigo | 12:24 |
| 2. | La resurreccion de Don Quijote | José Garcia Roman | 16:45 |
| 3. | Don Quijote: Act I: Ovillejo | Francisco Asenjo Barbieri | 1:40 |
| 4. | Don Quijote: Act II: Bailete | Francisco Asenjo Barbieri | 4:56 |
| 5. | Don Quijote Act III: Final | Francisco Asenjo Barbieri | 3:10 |
| Soundtrack, Tres momentos de Don Quichotte, for G.W. Pabst’s 1933 silent movie | |||
| 6. | No. 1.Primera salida de Don Quijote (Don Quixote's first sally) | Jorge Fernandez Guerra | 7:02 |
| 7. | No. 2.Ataque a los molinos (Attack on the windmills) | Jorge Fernandez Guerra | 7:15 |
| 8. | No. 3.Don Quijote renace de sus cenizas (Don Quixote is reborn from his ashes) | Jorge Fernandez Guerra | 3:50 |
| 9. | Don Quijote velando las armas (Don Quixote keeping vigil over his armour) | Gerardo Gombau | 9:11 |
| 66:13 |
The five works that make up this recording were all inspired by Cervantes’ masterpiece Don Quijote de la Mancha. Barbieri’s incidental music was composed as part of the first official commemoration, in 1861, of the anniversary of Cervantes’ death. Rodrigo’s symphonic poem Ausencias de Dulcinea (Dulcinea’s Absence), scored unusuallyfor four voices and orchestra, is characterised by constant changes of mood and tempo to express the shifts between the heroic and the romantic. The most recent work on this disc, a miniature suite from Jorge Fernández Guerra’s soundtrack, Tres momentos de Don Quichotte, for G.W. Pabst’s 1933 silent movie, has been desribed by the composer as “idealised cinematographic music… achieving moments of great lyricism”.