Le Foto Proibite Di Una Signora Per Bene
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| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| Side A | |||
| 1. | Le Foto Proibite di una Signora Per Bene | 4:45 | |
| 2. | Qui Ci Scappa il Morto | 3:50 | |
| 3. | Amore Come Dolore | 6:08 | |
| 4. | Bella, Cara, Dolce, Buona Mogliettina Per Bene | 3:05 | |
| 5. | Allegretto Per Signora | 2:25 | |
| 6. | Intermezzino Pop | 1:12 | |
| 7. | Caduta Nell'inconscio | 3:41 | |
| 25:06 |
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| Side B | |||
| 1. | Nel Vuoto | 9:33 | |
| 2. | Secondo Intermezzino Pop | 0:53 | |
| 3. | Percussivamente | 3:21 | |
| 4. | Quelle Foto | 5:03 | |
| 5. | Solo Eco | 2:40 | |
| 6. | Qui Ci Scappa il Morto (alternate take) | 1:55 | |
| 23:25 |
Limited edition of 500 copies.
In director Luciano Ercoli’s film, the atmosphere created by the effect of a disturbing soundtrack causes much of the tension. A percentage of this score has a very sinister ambience, highlighted by Morricone’s sublime usage of the human voice. Italian soprano Edda Dell’Orso’s cascading vocal tones mix unsettlingly with the stabbing Morricone strings, befitting the movie’s Hitchcockian moments. Genius.
In director Luciano Ercoli’s film, the atmosphere created by the effect of a disturbing soundtrack causes much of the tension. A percentage of this score has a very sinister ambience, highlighted by Morricone’s sublime usage of the human voice. Italian soprano Edda Dell’Orso’s cascading vocal tones mix unsettlingly with the stabbing Morricone strings, befitting the movie’s Hitchcockian moments. Genius.
其他版本 Le foto proibite di una signora per bene (1970):
