Great Greeks
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | O Alexandros mikros | 1:11 | |
| 2. | Megaloi Ellines | 1:53 | |
| 3. | Periklis ke Aspasia | 1:47 | |
| 4. | Oi prokymaies tou Moskova | 3:00 | |
| 5. | H Ochthi tou Neilou | 1:29 | |
| 6. | H epistrofi tou Alexandrou | 3:25 | |
| 7. | Oi lofoi tis Kymis | 2:29 | |
| 8. | Ellinikos Kanonas | 0:50 | |
| 9. | Samarkandi | 4:11 | |
| 10. | To enigma tou sympantos | 2:23 | |
| 11. | Lavara entos mou | 1:51 | |
| 12. | O Venizelos stis Kannes | 2:52 | |
| 13. | Peripatos ston Kifisso | 3:17 | |
| 14. | To stachy | 1:44 | |
| 15. | Ximeroma sta Dervenakia | 1:23 | |
| 16. | Serres 1930 | 1:54 | |
| 17. | Symposio | 1:59 | |
| 18. | Akadimia Platonos | 3:01 | |
| 19. | Stageira | 1:51 | |
| 20. | Eparsi | 0:41 | |
| 21. | Ypostoli | 0:56 | |
| 44:07 |
The relation of Evanthia Reboutsika with the cinema starts when she’s still a child, as she grew up in the projection booth of her father’s cinema in Kato Achaia, a town near Patra. Her first memories, full of the images and music of the films of that time, were transformed into the need for personal expression which has moved till today between two poles which constitute her great love: Music and Cinema.