Music for Moving Pictures
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | Research No Money | ||
| 2. | Hospital | ||
| 3. | When Medicine Main Title Premonition | ||
| 4. | Hinkley Kenny Woe | ||
| 5. | The First Meeting State Office | ||
| 6. | Full Humanity Hundreds of Hours Capitol Hill | ||
| 7. | If I Could do Anything Steve | ||
| 8. | Make Themselves Heard From Childhood | ||
| 9. | Friends Newsletters Hoffmans | ||
| 10. | Tell Your Mother Committed Kenny Murder | ||
| 11. | Wonder Oliphant Tony Future | ||
| 12. | Balancing Acts Main Title Pale | ||
| 13. | Chagall s Shtetl | ||
| 14. | Theatre & Fireworks Mikhoel s Vodka | ||
| 15. | Lear Stalin | ||
| 16. | Arrested Luck End Credits | ||
| 17. | Native New Yorker |
The three documentaries represented on this CD vary greatly in subject matter, yet have a connection through their usage, in varying degrees, of historical footage and vintage cameras dating back to the 1920s. When Medicine Got it Wrong blends historical film with contemporary imagery telling the story of parents who rocked psychiatry. Balancing Acts: A Jewish Theater in the Soviet Union relies entirely on archival footage from the first decades of the Soviet Union. Native New Yorker is a contemporary silent film shot before, during and after 9/11 with a hand-cranked 1924 Cine Kodak camera.