Das Leben ist eine Baustelle
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | Titelmusik | 2:07 | |
| 2. | Jenni | 1:32 | |
| 3. | Veras Geheimnis | 1:57 | |
| 4. | Papa ist tot | 3:33 | |
| 5. | Jan & Lilo | 3:30 | |
| 6. | Mystic choir | 1:31 | |
| 7. | Jans Gläsermusik | 3:09 | |
| 8. | Titelmusik | 2:55 | |
| 9. | Walk with me | 2:10 | |
| 10. | Verfolgung | 1:56 | |
| 11. | Nichts geht mehr | 3:19 | |
| 12. | Wo ist Vera? | 2:12 | |
| 13. | Mystic choir | 4:07 | |
| 33:58 |
Original Motion Picture Soundtrack
Music composed by Jürgen Knieper, Christian Steyer
An aimless Gen-Xer, Jan Nebel, literally runs into Miss Right while walking home from a disastrous one-night stand. Unfortunately, he meets Vera in the middle of a Berlin street riot. Even more unfortunately Jan accidentally knocks down two plain-clothes cops who are pursuing her. Before he's arrested, however, he manages to make a good impression on the beautiful young woman.
Review: 'Director and co-writer Wolfgang Becker weaves a loose, wry and finally tender tale around Jan (Vogel) and his meandering negotiation of the various people in his life: enigmatic lovers, grown-up drop-outs, washed-up lonely parents, irresponsible (incomprehensible) siblings, drifting immigrants, and men with bad haircuts (for this is Germany). A neater film would have given the script another couple of drafts, but the ill-defined narrative is part of the tentative fly-by-night charm. Being about the quixotic, unpredictable paths to reconstructing a social family, it sees opening up to someone as, in the end, an affirmative act of faith and optimism.' http://www.timeout.com/
Finally available, the film music to the German cult movie was composed by Jürgen Knieper and Christian Steyer, introducing the 'Baustellen Orchester Berlin'
Music composed by Jürgen Knieper, Christian Steyer
An aimless Gen-Xer, Jan Nebel, literally runs into Miss Right while walking home from a disastrous one-night stand. Unfortunately, he meets Vera in the middle of a Berlin street riot. Even more unfortunately Jan accidentally knocks down two plain-clothes cops who are pursuing her. Before he's arrested, however, he manages to make a good impression on the beautiful young woman.
Review: 'Director and co-writer Wolfgang Becker weaves a loose, wry and finally tender tale around Jan (Vogel) and his meandering negotiation of the various people in his life: enigmatic lovers, grown-up drop-outs, washed-up lonely parents, irresponsible (incomprehensible) siblings, drifting immigrants, and men with bad haircuts (for this is Germany). A neater film would have given the script another couple of drafts, but the ill-defined narrative is part of the tentative fly-by-night charm. Being about the quixotic, unpredictable paths to reconstructing a social family, it sees opening up to someone as, in the end, an affirmative act of faith and optimism.' http://www.timeout.com/
Finally available, the film music to the German cult movie was composed by Jürgen Knieper and Christian Steyer, introducing the 'Baustellen Orchester Berlin'