Island of the Sharks
(Digital)
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | Main Title | 2:05 | |
| 2. | Underwater Currents | 3:38 | |
| 3. | The White Tips | 1:10 | |
| 4. | Hammerheads | 2:00 | |
| 5. | El Nino | 1:50 | |
| 6. | Marlin Attack | 2:12 | |
| 7. | Dying Coral | 1:01 | |
| 8. | Cave Hunting | 1:02 | |
| 9. | Sea Stars | 1:13 | |
| 10. | Sea Turtle and Hermit Crab | 2:15 | |
| 11. | Fairy Turne | 0:46 | |
| 12. | Rain and Rebirth | 3:00 | |
| 13. | Night Hunt | 2:13 | |
| 14. | Hammerheads Return | 1:53 | |
| 15. | Marble Ray Romance | 2:06 | |
| 16. | Creole Fish | 1:17 | |
| 17. | Shark Attack | 2:47 | |
| 18. | Cocos Island | 2:35 | |
| 35:03 |
Winner 2011 Park City Film Music Festival Gold Medal Best Original Score
'The musical score that accompanies a film's images plays an integral part in the outcome. Images filmed in IMAX are big and descriptive. They deserve - no, they require, a big sound. It takes a special talent to compose big sound for that big picture, with the specific requirements of playback in an IMAX theater. From the first time I heard an Alan Williams' score, I knew that he was the one I wanted to musically capture the emotion of Cocos.' -Michelle Hall, producer
'The musical score that accompanies a film's images plays an integral part in the outcome. Images filmed in IMAX are big and descriptive. They deserve - no, they require, a big sound. It takes a special talent to compose big sound for that big picture, with the specific requirements of playback in an IMAX theater. From the first time I heard an Alan Williams' score, I knew that he was the one I wanted to musically capture the emotion of Cocos.' -Michelle Hall, producer
其他版本 Island of the Sharks (1999):
