Bernard Herrmann - Original Soundtrack
| # | 跟踪 | 持续时间 | |
|---|---|---|---|
| 1. | Prelude (From "The Man Who Knew Too Much") (1956) | 2:19 | |
| 2. | Overture (From "Citizen Kane") (1941) | 2:48 | |
| On Dangerous Ground 1951 | |||
| 3. | Prelude (From "On Dangerous Ground") (1951) | 1:34 | |
| 4. | Blindness (From "On Dangerous Ground") (1951) | 3:18 | |
| 5. | The Silence (From "On Dangerous Ground") (1951) | 1:55 | |
| 6. | The Hunt (From "On Dangerous Ground") (1951) | 1:56 | |
| 7. | Finale (From "On Dangerous Ground") (1951) | 1:56 | |
| North By Northwest 1959 | |||
| 8. | Prelude (From "North By Northwest") (1959) | 3:21 | |
| 9. | Conversation Piece (From "North By Northwest") (1959) | 4:43 | |
| 10. | Main Title (From "The Seventh Voyage of Sinbad") (1958) | 2:02 | |
| The Ghost and Mrs.Muir 1947 | |||
| 11. | Prelude (From "The Ghost and Mrs Muir") (1947) | 2:11 | |
| 12. | Finale (From "The Ghost and Mrs Muir") (1947) | 2:51 | |
| 13. | Main Title (From "The Twilight Zone") (1959) | 2:51 | |
| 14. | Memory Waltz (From "The Snows Of Kilimanjaro") (1952) | 4:25 | |
| Cape Fear 1962 | |||
| 15. | Prelude (From "Cape Fear") (1962) | 2:06 | |
| 16. | The School & Panic (From "Cape Fear") (1962) | 2:15 | |
| 17. | Finale (From "Cape Fear") (1962) | 1:21 | |
| 18. | Prelude (From "Jason and the Argonauts") (1962) | 1:59 | |
| 19. | Prelude (from "The Naked and the Dead") (1958) | 2:16 | |
| The Day The Earth Stood Still 1951 | |||
| 20. | Outer Space (from "The Day the Earth Stood Still") (1951) | 1:46 | |
| 21. | Radar (from "The Day the Earth Stood Still") (1951) | 2:36 | |
| 22. | Farewell & Finale (from "The Day the Earth Stood Still") (1951) | 1:20 | |
| 23. | Overture (from "The Three Worlds of Gulliver") (1959) | 2:03 | |
| Psycho 1960 | |||
| 24. | Prelude (From "Psycho") (1960) | 1:59 | |
| 25. | The City (From "Psycho") (1960) | 1:09 | |
| 26. | Rainstorm (From "Psycho") (1960) | 1:24 | |
| 27. | Murder (From "Psycho") (1960) | 1:02 | |
| 28. | Finale (From "Psycho") (1960) | 1:51 | |
| Mysterious Island 1961 | |||
| 29. | Prelude (From "Mysterious Island") (1961) | 1:59 | |
| 30. | The Balloon (From "Mysterious Island") (1961) | 2:16 | |
| 31. | Giant Bees (From "Mysterious Island") (1961) | 1:51 | |
| 32. | The Giant Crab (From "Mysterious Island") (1961) | 3:07 | |
| 33. | A Portrait of Hitch (From "The Trouble With Harry") (1955) | 8:49 | |
| Vertigo 1958 | |||
| 34. | Prelude (From "Vertigo") (1958) | 2:56 | |
| 35. | The Nightmare (From "Vertigo") (1958) | 2:04 | |
| 36. | Scène d'amour (From "Vertigo") (1958) | 5:11 | |
| 91:30 |
Performed by the National Philharmonic Orchestra, conducted by the composer. An early champion of new music, conducting premieres of several Charles Ives scores in the '30s, Herrmann completely changed the idea of the film score from heavily operatic and kitschy 'incidental music' to using only the barest of melody-like gestures or patterns in pure theme-and-variations form. This procedure is fully demonstrated in this recording, in his score for Hitchcock's Vertigo (1958) with its shocking polytonal harmonies (Mercury 422 106-2, issued 1986), and even in his last score for Martin Scorsese's Taxi Driver (1976) (Varese Sarabande VSD-5279, issued 1986) where the patterns over jazz harmonies are as totally symmetrical, as in the work of John Coltrane (especially 'Naima' and 'Giant Steps') and Jon Gibson. The orchestration and extended harp arpeggios recall his music for Nicholas Ray's On Dangerous Ground (1951) (issued on videodisc, Image Entertainment 1989) and Robert Wise's The Day the Earth Stood Still (1951) (issued on videodisc, CBS Fox 1011-80) which sounds remarkably like a Philip Glass score. In interviews, Glass has stated his early interest in Herrmann's music. Herrmann's concert music is more traditional but still remarkable for its clarity of line (especially recommended is the Souvenirs de Voyage for clarinet and string quartet (1967) issued 1991 on Delos DE 3088). ~ 'Blue' Gene Tyranny, Rovi