Serial Mom


MCA Records Japan (4988067018939)
MCA Records Germany (0008811105228)
MCA Records US (0008811105228)
Filme | Ano: 1994 | Lançamento do filme: 1994 | Formato: CD
 

Inscreva-se agora!

Mantenha-se mais informado e tenha acesso à informação de colecionadores!





 

# Rastrear Artista/Compositor Duração
1.Gas ChamberL-73:59
2.DaybreakBarry Manilow3:06
3.Main Titles (Mom's Suburban Dream)4:48
4.Morning (I'll Get You Pussyface!)2:05
5.It's Been a Crazy Day, Hasn't It?3:24
6.Flea Market Suite (Stood Up and Skewered)7:02
7.The Sterner Payback5:40
8.Buckle Up, Scotty!!2:35
9.Courtroom Suite (In Memory of a Fashion Victim)2:59
10.I'm Coming Home!3:20
 38:58
Envie sua opinião Ocultar críticas em outros idiomas

 

Serial Mom - 06/10 - Revisão de Tom Daish, apresentado em (Inglês)
I wonder if this would have been the result had John Waters made American Beauty, a satire on modern American suburban bliss and the potentially psychotic underbelly it can inspire. Basil Poledouris' response is a score that certainly starts with a very sweet natured in the bouncy Main Title, a jaunty amalgam of Jerry Goldsmith's suburban music for Joe Dante and just about any comedy score tune ever penned by Alan Silvestri, James Newton Howard, Marc Shaiman or James Horner. Morning Suite continues the mood for a while, but soon starts raining on the idyllic parade with some hilariously gratuitous dialogue clips. I'm not usually one to support the use of dialogue on soundtracks, but Waters' dialogue is so amusingly foul mouthed (I'm surprised there was no 'explicit lyrics/dialogue' sticker on the front of my copy) that I couldn't help but chuckle. If you laugh long and hard at South Park, you'll love it, but rest assured that it doesn't obscure Poledouris' music to any great detriment.

Although the music tries to remain upbeat, the more sinister tones creep in more and more often, mixing effortlessly throughout It's Been a Crazy Day and Flea Market Suite. The Sterner Payback is something of a Goldsmithian action cue, with a generally serious tone, but the occasional comedic spark from time to time and Buckle Up, Scotty!!! continues the trend. The final two tracks are a the dark and lighter sides to the finale, with the serious Courtroom Suite (aside from a peculiar moment of bongo drumming) and the quasi uplifting I'm Coming Home. Poledouris doesn't quite revert to the upbeat opening material, the innocuous innocence wouldn't really be appropriate. This is the kind of music that Poledouris might have come up with had he been engaged to score a Joe Dante movie and, like the Goldsmith scores for Dante, Serial Mom is an enjoyable and tuneful piece of fluff. The dialogue clips may amuse, offend or irritate, but they don't really disrupt the music and are infrequent enough to be forgiven.
Serial Mom - 10/10 - Revisão de Sybren van der Schoot, apresentado em (Holandês)
Kathleen Turner zet een grandioos goede rol neer als perfecte moeder en serial killer Beverly Sutphin, die haar gezin beschermt tegen 'slechte'invloeden van buiten af...of je nu je autogordel niet om hebt, of gek bent op porno boekjes...Serial Mom zorgt dat je zulke fouten niet nog een keertje maakt. Volgens de openingstitel van de film is dit verhaal op ware feiten gebaseerd en wilde de echte serial mom niet meewerken aan de film. De toedracht doet er niet toe, regisseur John Waters weet een heerlijke kolder-slasher te maken met een hilarische rechtzaak aan het einde van de film. Naast Turner ( Romancing The Stone, War Of The Roses) spelen ook talkshow hostes Ricky Lake ( Hairspray) en Matthew Lillard ( Scream)grandioze rollen als de kids van serial mom. De soundtrack word verzorgt door Basil Poledouris ( Robocop, Free Willy e.v.a.) en die klinkt als een extra beleving nadat je de film hebt gezien. De CD start met 2 songs...Gas Chamber van L-7 ( het metalnummer waar Turner tijdens een rockconcert Justin Whalin in lichterlaaie zet) en het Barry Manilow nummer Daybreak ( Turner's favoriete liedje tijdens het huishouden).
Daarna beginnen de suites van score muziek met heerlijk rustig orkest, afgewisselt met ( hilarische) filmdialogen. Mijn favoriete tracks op deze soundtrack zijn toch wel 'Morning Suite ( I'll Get You, Pussyface!) en Courtroom Suite ( In Memory Of A Fashion Victim)
De film is een snoepje en de soundtrack ook..gewoon luisteren


Informe uma falha ou envie-nos informações adicionais!: Login

 



Mais