Thor: The Dark World


Hollywood Records US (0050087296322)
Hollywood Records EU (0050087301941)
Filme | Data de lançamento: 28/10/2013 | Lançamento do filme: 2013 | Formato: CD, Download
 

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# Rastrear   Duração
1.Thor: The Dark World2:10
2.Lokasenna2:31
3.Asgard1:55
4.Battle of Vanaheim1:39
5.Origins3:49
6.The Trial of Loki2:38
7.Into Eternity3:40
8.Escaping the Realm3:53
9.A Universe from Nothing2:20
10.Untouchable4:08
11.Thor, Son of Odin1:51
12.Shadows of Loki2:25
13.Sword and Council3:46
14.Invasion of Asgard2:59
15.Betrayal4:02
16.Journey to Asgard2:17
17.Uprising2:35
18.Vortex2:20
19.An Unlikely Alliance3:47
20.Convergence3:42
21.Beginning of the End5:20
22.Deliverance2:21
23.Battle Between Worlds3:29
24.As the Hammer Falls2:40
25.Legacy4:08
26.Marvel Studios Fanfare0:29
 76:54
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Thor: The Dark World - 09/10 - Revisão de John Mansell, apresentado em (Inglês)
The score for THOR by Patrick Doyle I thought was great, I was disappointed when I heard he would not return to score the sequel, but then took comfort in the fact that Brian Tyler was onboard to carry out the musical duties for this second big screen outing for the Norse god of thunder. I have to say WOW this is a score that does not hold back, it lets fly right from the off, and is certainly a thundering and powerful musical accompaniment for the hammer wielding muscle man. The opening cue, THOR-THE DARK WORLD launches itself at the listener driving and pulsating with strings booming percussion, awesome and powerful brass and an imposing choral support, it is good sturdy stuff that evokes memories of past scores by composers such as Basil Poledouris, Jerry Goldsmith and Bill Conti. (I think you get the idea). Its drive is relentless and it has a fearsome and also contagious aura about, the opening cue quickly establishes itself and is a wonderful opener for the score and certainly a taste of what the remainder of the soundtrack contains, bold and strong themes are the order of the day here, haunting and impressive musical passages that literally thrash along at breakneck speed creating a sense of urgency, a sense of dread and also an atmosphere that is filled with hope and emotion. Track number two, LOKASENNA is a little more subdued in its sound and style, female voice is utilized to create an unworldly atmosphere, this is supported by strings and rumbles of percussion, which slowly but surely build to become more than a background to the vocal, but still remain secondary to the voice. With track number three, ASGARD, we return to a more upbeat and a more action driven composition, horns and percussion introduce the track, the composer then bringing more brass and choir into the proceedings supported by strings to create an anthem like theme that flows and rises into a crescendo filled piece that literally takes your breath away. Track number four BATTLE OF VENAHEIM although short lived makes it mark and is a resounding and powerful cue that utilizes choir again, which is underscored and supported by rasping and insistent brass flourishes with strings and percussion ever present to heighten the mood and add to the drama giving the piece an unrelenting and driving persona. Track number five, ORIGINS is another full throttle composition, but saying this it does have a lull midway, that although not completely subdued is a kind of respite before the music again erupts into a dramatic and fervent working of the scores central theme. Track number seven INTO ETERNITY, is a return to the female voice that was utilized in track two, but on this occasion, the composition is more developed and contains a fuller and more emotive rendition of the theme, with the voice being more prominent supported by the string section which add warmth and high emotion to the piece. This is a soundtrack that will thrill and delight film music fans and have Brian Tyler devotees in raptures. Go buy it………
Thor: The Dark World - 08/10 - Revisão de Javier Madariaga, apresentado em (Espanhol)
Thor: The Dark World
Música Compuesta y Dirigida por Brian Tyler
Cuando pensé que después de Lincoln ya no tenía nada que esperar no había recordado que aun quedaban muchas BSOs por escuchar incluyendo esta. La nueva película de la 'FASE II' Thor: El mundo oscuro cuenta con una BSO muy solida, poderosa al escuchar y muy bella. Brian Tyler superó mis expectativas, aunque nunca le tuve mucha fe a Carter Burwell, y logró componer una banda sonora de un súperheroe propiamente dicha.
Lo Primero, El Tema Principal: En este ámbito Tyler siempre se ha lucido con sus temas potentes y simples, otra vez recurre a partir el tema con percusión potente aunque la acompaña con las cuerdas en un papel más imponente que en Iron Man 3. Al igual que en la anterior película de Marvel, Tyler parte con el tema en una versión noble y lo repite en una versión más heroica subiendo la altura musical. El tema es potente, heroico y se asemeja mucho a un rayo, como el protagonista mismo. El compositor no recurre a ocupar de alguna forma completa el tema original compuesto por Patrick Doyle.
El Score: Claramente Tyler se sinfonizó un poco más para esta película en comparación a Iron Man 3, en donde pudo seguir con la linea de The Expendables u otros films de acción, mientras que aquí sabe ocupar mejor la orquesta y no se acata solo a la percusión y a los electrónicos. El Score en sí tiene mucho en común con Iron Man 3 de acuerdo a su forma de interpretar las emociones, lo oscuro lo oscurece más aun y lo glorioso es casi apoteósico.
Tyler tiene una obsesión sana por los coros y en esta BSO sabe ocuparlos muy bien, además de incluir la bella y potente voz de Azam Ali.
El uso del material de films anteriores del universo Marvel es poco, no ocupa el tema principal de Patrick Doyle, ni siquiera para volver a representar Asgard, aunque el intento de Tyler es sorprendente y hermoso. Tiene toques inusualmente parecidos al trabajo de Bear McCreary en 'Agents of Shield'. Un uso muy simpático y bien hecho es el de el Tema del Capitán América de Alan Silvestri en el track 'An Unlikely Alliance', donde revisa el motif militar para dar cercanía al siguiente protagonista de la FASE II
Para finalizar la BSO esta la Fanfarria para Marvel, que es muy parecida al trabajo en el Score de Tyler y representa el nuevo tipo de música para superheroes
Es brillante, novedosa, hermosa, gloriosa, trágica, es un score muy amplio y bien hecho, yo personalmente lo nominaría al Oscar, aunque no lo daría por ganador.

JAMO

Nominaciones Parciales para el Oscar 2014:
-The Book Thief- John Williams
-Saving Mr. Banks- Thomas Newman
-Thor: The Dark World- Brian Tyler
-12 Years a Slave- Hans Zimmer
-The Butler- Rodrigo Lleao

Outros lançamentos de Thor: The Dark World (2013):

Thor: The Dark World (2013)

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