Cloak & Dagger
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| # | Tor | Czas | |
|---|---|---|---|
| 1. | Jack Flack Arrives | 0:59 | |
| 2. | The Tower of Life | 3:33 | |
| 3. | Help, Police!... Murder | 4:13 | |
| 4. | Return from the Mission | 5:32 | |
| 5. | I Guess We're On Our Own | 1:38 | |
| 6. | Davey Gets Away | 1:20 | |
| 7. | Run, Davey, Run | 3:34 | |
| 8. | Nightmare Drive | 5:05 | |
| 9. | Parking Lot Chase | 3:56 | |
| 10. | We Gotta Save Kim! | 1:06 | |
| 11. | Back to the River | 2:01 | |
| 12. | Run Like the Wind | 1:55 | |
| 13. | The Cross Fire Gambit | 4:42 | |
| 14. | I Don't Wanna Play | 1:10 | |
| 15. | The End of Childhood | 2:21 | |
| 16. | Airport Prelude | 1:28 | |
| 17. | Davey a Hostage! | 1:22 | |
| 18. | Captain Jack Flack | 6:49 | |
| 19. | Cloak & Dagger (End Credits) | 3:49 | |
| 56:33 |
World premiere of exciting symphonic score from Richard Franklin espionage thriller, released by Universal Pictures, starring Henry Thomas, Dabney Coleman. Brian May pulls out all stops, writes energetic action/adventure-style score replete with chases, fights, climactic fighter jet sequence. May creates small motif, propels much of his action around it, then expands idea into triumphant march for finale. Great scoring! Fans of May will find signature MAD MAX harmonic vocabulary but composer also explores vernacular of Williams, Goldsmith, even Bernard Herrmann! Intrada presents complete score, digitally mixed & mastered from mint condition 2' 24-track scoring session masters vaulted at Universal. One of the key action scores of the eighties finally sees light of day! Brian May conducts
Ścieżki dźwiękowe z kolekcji: Limited Editions
