The Undefeated / Hombre
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| # | Tor | Czas | |
|---|---|---|---|
| The Undefeated | |||
| 1. | The Undefeated | 4:00 | |
| 2. | Southern Charm | 1:57 | |
| 3. | Burning the Plantation | 2:13 | |
| 4. | Meet Blue Boy | 3:17 | |
| 5. | Foggy River | 2:40 | |
| 6. | River Crossing | 3:45 | |
| 7. | Let's Go! | 3:02 | |
| 8. | Happy Hour Hoedown | 4:39 | |
| 9. | Do You Mind? | 1:07 | |
| 10. | All But Jamison | 1:31 | |
| 11. | Bandits | 2:51 | |
| 12. | The Horses | 1:17 | |
| 13. | Suppertime | 2:04 | |
| 14. | New Campsite | 1:02 | |
| 15. | Incident in Mexico | 9:38 | |
| 16. | Mission Accomplished | 1:38 | |
| 17. | End Title | 1:07 | |
| Hombre | |||
| 18. | Hombre | 4:22 | |
| 19. | Stagecoach | 3:13 | |
| 20. | Bandits | 4:01 | |
| 21. | John Russell | 4:01 | |
| 22. | Single | 3:17 | |
| Mystery Track | |||
| 23. | Hombre Trailer | 3:30 | |
| 70:12 |
Hombre (1967)
The Undefeated (1969)
The Undefeated (1969)
In the late 1960s, America's most popular and enduring genre went nova. This was, to say the least, a final burst of freaky creativity—good and bad—from a fading genre, bringing revisionism, surrealism, dinosaurs, and even Elvis Presley to the 'cowboy' movie. The western was undergoing radical change and experimentation, and we present two never-before-available scores from that period: Both were produced by 20th Century-Fox with top-line casts: John Wayne and Rock Hudson in The Undefeated; Paul Newman and a sturdy ensemble in Hombre.
The Undefeated is a sprawling escapist western involving Civil War factions, Mexican politics, bandits, mustangs and brawls—typical Duke fare, but with updated scope and ambitions. The score, by Hugo Montenegro, is a long, showy score steeped in tradition yet with a pop gleam in its eye; it features reams of deceptively simple yet memorable thematic material. Its terrific main theme could easily be at home in a modern-day NFL broadcast.
In contrast, Hombre is a sober portrait of human interaction and prejudice, re-teaming Newman with a filmmaker of great deliberate craft, director Martin Ritt. David Rose, who scored pop song hits with 'The Stripper' and 'Holiday for Strings' wrote a short, sparse score that we have collected into longer suite-form tracks; the music presents a meaningful and melodic echo of the story's quiet deliberations.
Together, these scores add up to over an hour of music in stereo. Along with a bonus 'mystery track', this CD stands as a tribute to two distinguished, prolific but underrepresented musicians—and a snapshot of their memorable contributions to the western's last days.
The Undefeated is a sprawling escapist western involving Civil War factions, Mexican politics, bandits, mustangs and brawls—typical Duke fare, but with updated scope and ambitions. The score, by Hugo Montenegro, is a long, showy score steeped in tradition yet with a pop gleam in its eye; it features reams of deceptively simple yet memorable thematic material. Its terrific main theme could easily be at home in a modern-day NFL broadcast.
In contrast, Hombre is a sober portrait of human interaction and prejudice, re-teaming Newman with a filmmaker of great deliberate craft, director Martin Ritt. David Rose, who scored pop song hits with 'The Stripper' and 'Holiday for Strings' wrote a short, sparse score that we have collected into longer suite-form tracks; the music presents a meaningful and melodic echo of the story's quiet deliberations.
Together, these scores add up to over an hour of music in stereo. Along with a bonus 'mystery track', this CD stands as a tribute to two distinguished, prolific but underrepresented musicians—and a snapshot of their memorable contributions to the western's last days.
Inne wydania muzyczne The Undefeated (1969):
Ścieżki dźwiękowe z kolekcji: Limited Editions
