The Living Dead at Manchester Morgue / Horror Express
Quartet Records (8436035001743)
Film | Data wydania: 20/09/2010 | Format: CD
Edycja limitowana: 500 kopie
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| # | Tor | Czas | |
|---|---|---|---|
| The Living Dead at Manchester Morgue composed by Giuliano Sorgini | |||
| 1. | John Dalton Street | 2:24 | |
| 2. | Surreal | 2:33 | |
| 3. | Trance | 1:47 | |
| 4. | Strait Jacket | 2:26 | |
| 5. | The Raisen Dead | 3:16 | |
| 6. | Agression | 1:19 | |
| 7. | The Death of the Dead | 2:36 | |
| 8. | The Torment of the Dead | 2:23 | |
| 9. | Mysterious Country | 1:35 | |
| 10. | Southgate Hospital | 1:44 | |
| 11. | The Living Dead | 2:25 | |
| 12. | Drawned Guthrie | 2:18 | |
| 13. | George | 2:05 | |
| 14. | Manchester M2 GLD | 2:26 | |
| 15. | Edna | 1:21 | |
| Horror Express composed by John Cacavas | |||
| 16. | Main Title | 2:05 | |
| 17. | Icy Search | 2:35 | |
| 18. | Ballet Russian | 2:15 | |
| 19. | The Journey Begins | 1:38 | |
| 20. | Pujaros Theme | 0:52 | |
| 21. | Deadly Pursuit | 1:41 | |
| 22. | Train | 0:39 | |
| 23. | Fugue | 2:29 | |
| 24. | End Title | 3:01 | |
| 49:52 |
Horror Express (1972)
Non si deve profanare il sonno dei morti (1974)
Non si deve profanare il sonno dei morti (1974)
Quartet Records is proud to presents another two of the most essential European horror titles, both combined in a newly remastered CD.
The Living Dead At the Manchester Morgue (aka No profanar el sueńo de los muertos, aka Let Sleeping Corpses Lie, 1974), is a real classic of Spanish horror cinema, and is considerer one of the best zombie films ever made. Directed by Jordi Grau (Historia de una chica sola, Il Peccato), and starring Cristina Galbó, Raymond Lovelock and Arthur Kennedy. The plot tells the bizarre story of corpses back to life in a cementery in Manchester, caused by radiations used by the government for destroying insects pests, wich affects the nervous system of the bodies that have died recently. But far from being a simple tale of horror, Grau's message is clearly ecological and socio-political, portrayed through the fascist police played by Kennedy, and his distrut of the young people and their new way of thinking about the world.
Italian composer Giuliano Sorgine provides the film with a surprising and unusual film score, still quite innovative at his date. Voices, cries, medieval instruments or electronics, are some of the elements that Sorgini use to create his uneasy sound design. Additionaly, the composer also offers disturbing beat rhythms for the Main Title sequence ('John Dalton Street').
Horror Express (aka Pįnico en el Transiberiano, 1972) was directed by Eugenio Martķn (with the pseudonym of Gene Martin), and starring Christopher Lee, Peter Cushing and Telly Savallas. The film, wisely directed, is a clear debt from the Hammer aesthetic, starting for the star duo. This was, also, the first film score composed by John Cacavas (Kojac, The Satanic Rites of Dracula, Airport 1975 ), who was recommended to the producers for his friend Telly Savallas.
Cacavas composes a sticky melody of clear Russian roots and is further rich in rythms and atmospheres. Unfortunately, one 1/4 reel contains the original recordings, and found in the Mercury Films vaults, is damaged beyond repair. So, weve had to use the re-recording Cacavas himself conducted a couple of years later. Luckily all key material written for the film has been preserved this way and in a performance very much alike the original one.
The package includes a 20-page full color booklet, with extensives liner notes by Įngel Garcķa Romero
The Living Dead At the Manchester Morgue (aka No profanar el sueńo de los muertos, aka Let Sleeping Corpses Lie, 1974), is a real classic of Spanish horror cinema, and is considerer one of the best zombie films ever made. Directed by Jordi Grau (Historia de una chica sola, Il Peccato), and starring Cristina Galbó, Raymond Lovelock and Arthur Kennedy. The plot tells the bizarre story of corpses back to life in a cementery in Manchester, caused by radiations used by the government for destroying insects pests, wich affects the nervous system of the bodies that have died recently. But far from being a simple tale of horror, Grau's message is clearly ecological and socio-political, portrayed through the fascist police played by Kennedy, and his distrut of the young people and their new way of thinking about the world.
Italian composer Giuliano Sorgine provides the film with a surprising and unusual film score, still quite innovative at his date. Voices, cries, medieval instruments or electronics, are some of the elements that Sorgini use to create his uneasy sound design. Additionaly, the composer also offers disturbing beat rhythms for the Main Title sequence ('John Dalton Street').
Horror Express (aka Pįnico en el Transiberiano, 1972) was directed by Eugenio Martķn (with the pseudonym of Gene Martin), and starring Christopher Lee, Peter Cushing and Telly Savallas. The film, wisely directed, is a clear debt from the Hammer aesthetic, starting for the star duo. This was, also, the first film score composed by John Cacavas (Kojac, The Satanic Rites of Dracula, Airport 1975 ), who was recommended to the producers for his friend Telly Savallas.
Cacavas composes a sticky melody of clear Russian roots and is further rich in rythms and atmospheres. Unfortunately, one 1/4 reel contains the original recordings, and found in the Mercury Films vaults, is damaged beyond repair. So, weve had to use the re-recording Cacavas himself conducted a couple of years later. Luckily all key material written for the film has been preserved this way and in a performance very much alike the original one.
The package includes a 20-page full color booklet, with extensives liner notes by Įngel Garcķa Romero
Inne wydania muzyczne Non si deve profanare il sonno dei morti (1974):
Ścieżki dźwiękowe z kolekcji: Limited Editions
