Borderlands: The Pre-Sequel!
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| # | Track | Lengte | |
|---|---|---|---|
| 1. | SpaceStation | 2:51 | |
| 2. | Into the Void | 3:25 | |
| 3. | Habitat | 4:46 | |
| 4. | Persistent Impulse | 1:44 | |
| 5. | Beyond the Biodome | 3:26 | |
| 6. | Lunar Surface | 3:22 | |
| 7. | Celestial Spaceport | 2:07 | |
| 8. | Helio | 3:20 | |
| 9. | System Interference | 2:01 | |
| 10. | Arrival | 3:27 | |
| 11. | Orbiter | 2:05 | |
| 12. | Full State Feedback | 2:29 | |
| 13. | Mooncore | 5:25 | |
| 14. | Eridian Traps | 2:44 | |
| 15. | Beyond the Biodome (Pleasure Dome Mix) | 3:30 | |
| 16. | Lunar Surface (Extended Mix) | 5:18 | |
| 17. | Crisis Star Ambient | 4:19 | |
| 18. | Crisis Star Combat | 2:31 | |
| 19. | Outlands | 4:58 | |
| 20. | Pity's Fall | 6:29 | |
| 21. | Fenrir Industrial Facility Ambient | 3:31 | |
| 22. | Fenrir Industrial Facility Combat | 2:47 | |
| 23. | Fenrir Robotic Facility | 3:34 | |
| 24. | Abandoned Training Facility | 4:47 | |
| 25. | Research and Development Ambient | 3:07 | |
| 26. | Research and Development Combat | 3:16 | |
| 27. | Hyperion Hub of Heroism | 3:30 | |
| 28. | Jack's Office | 4:12 | |
| 29. | Veins of Helios | 4:14 | |
| 30. | Vorago Solitude Ambient | 3:17 | |
| 31. | Vorago Solitude Combat | 2:52 | |
| 109:24 |
'This is my first synthesizer score since Hitman: Contracts. However, it is completely different. There are no traces of real instruments, everything is made with analog synths, drum machines and old gaming consoles.
The music is my take on 1980's sci-fi music and electronic music and there's everything from Commodore 67 and Sega Megadrive instruments tomassive alnalog synths and vintage drum machines. It's basically a headtrip through 1980s film inspired electronic synth scores with my own twist on that genre.'
The music is my take on 1980's sci-fi music and electronic music and there's everything from Commodore 67 and Sega Megadrive instruments tomassive alnalog synths and vintage drum machines. It's basically a headtrip through 1980s film inspired electronic synth scores with my own twist on that genre.'