Grace Quigley

Quartet Records (8436035003440)
Film | Releasedatum: 25/03/2011 | Film release: 1984 | Medium: CD
Beperkte oplage: 1000 exemplaren

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# Track   Lengte
1.Main Title2:50
3.Mr. Argo Shot / Grace in the Car / Seymour Flint2:32
4.Wish Me Luck1:10
5.The Proposal1:40
6.Ac Act of Pity / You're Late! / Mr. Jenkins2:04
7.The Farewell Party1:38
8.The Lovely Death of Mr. Jenkins2:41
9.The Geriatric2:22
10.Customers / Rest Homes3:15
11.None Sing Again / The Plan1:34
12.Bulletin Boards1:14
13.Putnam's Short Cut1:14
14.Hidden Gun / The Killing of Mr. Putnam / Emily's First2:09
15.The Funeral Chase2:11
16.Seymour Shot to Grace / Pillow Ride / Beach Revisited / Mum and Son4:40
17.End Credits1:57
18.Radio Lieder0:16
19.Radio Source1:28
20.The Lovely Death of Mr. Jenkins (alternate)1:21
21.The Geriatric (alternate)2:19
22.Rest Homes (alternate - version 1)2:11
23.Rest Homes (alternate - version 2)2:11
24.End Credits (alternate)1:55
25.Funeral Source4:26
26.Emily's Hat0:47
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World premiere release of John Addison’s masterful suspense/comedy score for the Cannon production directed by Anthony Harvey in 1984.

“Grace Quigley” paired Katharine Hepburn with Nick Nolte in a dark comedy about an elderly lady who arranges contract killings for her friends. Addison’s music builds upon several memorable melodies, including a nostalgic waltz for Hepburn’s spinster, a more contemporary theme for Nolte’s conflicted killer and additional motives for the ideas of crime and family. Cheeky quotes of the medieval hymn “Dies Irae” abound in the more macabre cues.

We have transferred this forgotten masterpiece from the original stereo tapes in the M-G-M vaults. Over 15 minutes of music was left out of the film due to editorial changes, so many highlights (including the key action cue “Funeral Chase”) make their debut here. The main program is followed by interesting alternates and source cues; we have made sure you get to hear everything Addison wrote for “Grace Quigley!”

This release includes a 12-page booklet with film stills and liner notes by Gergely Hubai.

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