Un Uomo, Un Cavallo, Una Pistola


GDM Music (8018163041541)
映画 | 発売日: 16/05/2012 | フォーマット: CD
 

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# トラック   期間
1.Un uomo, un cavallo, una pistola3:17
2.Una canzone per la luna3:18
3.Faccia a terra2:09
4.Carrozza d'oro1:16
5.Il buon pastore2:35
6.Le pistole attendono2:31
7.Zoccoli nella polvere2:16
8.Sentiero rosso1:34
9.La sentenza1:18
10.Esterno saloon2:03
11.Viaggio nella prateria3:42
12.Notturno per colt3:02
13.Un uomo, un cavallo, una pistola (Titoli - versione film)3:35
14.Viaggio nella prateria (versione film)2:28
15.Una canzone per la luna (versione film)1:42
16.Viaggio nella prateria (versione film #2)1:56
17.Zoccoli nella polvere (versione film)2:51
18.Un uomo, un cavallo, una pistola (versione film)3:11
19.Viaggio nella prateria (versione film #3)3:00
20.Zoccoli nella polvere (versione film #2)4:12
21.Un uomo, un cavallo, una pistola (Finale - versione film)2:28
22.Un uomo, un cavallo, una pistola (Alt. Take - Mono Mix)2:56
 57:19
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Un Uomo, Un Cavallo, Una Pistola - 10/10 - その改訂 John Mansell, 提出された (英語)
Originally released in 1967 on a CAM long playing record which also included tracks on the B side from THE BELLE STARR STORY music by Charles Dumont. This Cipriani spaghetti western score has to be one of the most popular and well known non-Morricone western scores from the 1960,s. The theme was covered by numerous artists worldwide including the likes of LeRoy Holmes, Geoff Love and Henry Mancini, the latter in-particular held Cipriani,s composition in high esteem and was a composer who Cipriani said was an inspiration to him. A MAN A HORSE AND A GUN was also one of the first soundtracks to be re-issued by CAM as part of their SOUNDTRACK ENCYCLOPEDIA series (cse 102). But sadly the recording was slightly flawed and was of a very short running duration, the original compact disc release running for just 23 mins 40 seconds. CAM did re-issue the score again with a few extra tracks and included it on a disc with tracks from two other westerns scored by Cipriani, THE BOUNTY KILLER and NEVADA. So it has been available before to collectors but not in such a complete version. This latest edition is as far as we are aware the entire score which was originally a project that CAM were contemplating at the time of the films release, and this release is made up of tracks from a mock up LP as well as cues from the films soundtrack. It contains 11 cues that have already been issued and a further 11 which are billed as bonus tracks on the compact disc and are previously unreleased. Although saying this the central theme from the score is repeated a number of times, but these are differing arrangements throughout so one never tires of hearing it. The sound achieved by Hillside/GDM is amazing, and all tracks are in full stereo apart from track number 22, which is a mono mix of an alternate version of the central theme. Presentation is also very well done, with the original LP cover being utilized and a number of attractive and colourful stills from the movie decorating the compact disc booklet, alongside varying versions of the publicity poster for the movie. The score by Cipriani is in every sense of the word a “CLASSIC” and it is this soundtrack along with examples from the same period by Ennio Morricone, Gianni Ferrio, Bruno Nicolai, Francesco De Masi and Nico Fidenco that set the standard and also created the precedence and the style that was to become the iconic Spaghetti western “SOUND”. The CD opens with the now familiar and dare I say famous theme, UN UOMO UN CAVALLO UNA PISTOLA.
Spanish guitar punctuated by bass electric guitar in subdued mode open the cue and soon usher in a shrill but melodic sounding wood wind which establishes the main body of the theme, strident near forceful strings then enter and add momentum and increase the compositions tempi. The same strings are then joined by racing snares, bells and eventually an electric guitar which takes on the role that was established by the woods and continues to pick out Ciprianis infectious theme. Trumpet is added to create a wonderful rich and exuberant sound depicting the man and the horse riding at speed, the tempi then alters drastically as the composer introduces a slower and more romantic sounding arrangement of the central theme, woodwind again with low brass and also strings are combined with a laid back percussion supporting them. Again the tempi changes and becomes fast paced but only very briefly bringing the cue to its conclusion as it fades. Track number 2, UNA CANZONE PER LA LUNA, is the secondary theme for the score, and in many ways does evoke memories of Morricone’s GOODBYE COLONEL cue from A FEW DOLLARS MORE. Subdued percussion, bell sounds and martial sounding timpani are interspersed with electric bass and piano creating an almost bolero sound, which has the central phrasing of the theme performed by woodwind and also at times passed to solo trumpet which is slow and near mournful in its overall sound that is supported by sparse use of electric organ. Track number 3, FACCIA A TERRA, is for me one of the highlights of the score, driving percussion that is punctuated by whip sounds act as a background to a striking and memorable trumpet solo which itself is embellished by the use of a rasping voice which creates a stunning and highly original effect. I am also glad to say that on this version of the score, the re-mastering has been done wonderfully as on the original CD release there was a slight imperfection that was very noticeable on this particular track and this has been remedied. Overall this soundtrack is a rewarding listen and also one that is a must have purchase as it is one of the Italian western genres greatest scores.


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