Femme Fatales


MovieScore Media (700261358369)
映画 | 発売日: 05/06/2012 | フォーマット: CD, ダウンロード
 

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# トラック   期間
1.Main Title (Lilith's Theme)1:15
2.Bad Medicine2:46
3.Something Like Murder3:39
4.Behind Locked Doors2:30
5.Speed Date2:07
6.The White Flower2:45
7.Till Death Do Us Part...2:35
8.Girls Gone Dead2:40
9.16 Minutes of Fame2:52
10.Haunted2:04
11.Gun Twisted2:26
12.Angel & Demons2:54
13.Killer Instinct2:43
14.Help Me Rhonda1:49
15.Jailbreak1:54
16.The Clinic2:07
17.Crazy Mary2:39
18.Visions4:48
19.Trophy Wife2:39
20.Extracurricular Activities2:42
21.One Man's Death2:02
22.Family Business5:09
23.Hell Hath No Furies...2:08
24.Bad Science2:23
25.Libra2:21
26.End Title (Lilith's Farewell)0:43
 66:40
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Femme Fatales - 09/10 - その改訂 John Mansell, 提出された (英語)
Another solid release from Movie score media, again the label champions a score that would ordinarily not have got a release, this is what I love about the label, they ensure that collectors of movie music get to hear soundtracks that would in other circumstances probably languish in dusty vaults for an age and in the end be dumped un-ceremonially, thus depriving everyone of some wonderful music. The score for FEMME FATALE'S for me any way is a real gem, I just adore the many themes and haunting motifs within its make up. I also am drawn to the multi styled ambience of the score, by this I mean there are many poignant and melodic moments throughout it’s running time, but there are also an equal amount of hard hitting passages that certainly evoke an atmosphere and sound that can be likened to film music of the 1970,s and also the 1980,s in-particular I noticed a resemblance to the musical style of composer Lalo Schifrin which is slightly jazz orientated but with a hard edged and dynamic sound fronting many of the cues. Add to this a underlying mood that conjures up mystery and tension and we have here a rewarding and exciting sounding score, which I am confident will satisfy and enthral many a collector. Joe Kraemer has crafted a soundtrack that has a big sound and also one that utilizes to the maximum percussion and driving strings sounds within it’s action cues, the composer also enhances the more conventional instrumentation with a number of synthetic sounds, the orchestral and the electronic are fused seamlessly within the work and the composer makes excellent and effective use of both at times it becomes difficult to differentiate between actual instruments and electronics and samples. Femme Fatale is a soundtrack that I know will be returned to on many occasions as it has a presence that is powerful and attractive. Track number 8, GIRLS GONE DEAD, is a prime example of the quality and imposing presence of this score, pensive sounding woodwind is utilized above an almost swirling and foreboding combination of strings that are punctuated by harp which are after a brief interim enhanced and embellished further by a dark but subdued sounding piano and low sounding woods, this introduction leads into a powerful and daunting sound created by the employment of strings, synths and brass flourishes that are further supported by booming percussion, the electronic side of the proceedings does shine through somewhat within this cue, but it is in no way a negative as the sound created is rich, dramatic and commanding. The score also contains some interesting percussive moments throughout which are inventive and original, the composer combining various components and elements from this section to create some striking and outstanding passages.

This type of writing is prominent in cues such as, Track 3, SOMETHING LIKE MURDER, again the composer uses a forceful and dark sounding central theme, which is supported by percussion and also in Track number, 15 JAILBREAK, another action slanted cue that relies upon percussion as it’s backbone and foundation. Overall Kraemer keeps up the memento and pace and has penned a score that is brimming with bold orchestral and synthetic stabs, booming percussive contributions and grand sounding themes.


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