Look Ma, I'm Dancing
1948 Original Broadway Cast
今すぐ購読する！
もっと情報を得て、コレクター情報にアクセスしてください！
もっと情報を得て、コレクター情報にアクセスしてください！
| # | トラック | アーティスト/作曲家 | 期間 |
|---|---|---|---|
| 1. | Gotta Dance | Chorus and Harold Lang and Pembroke Davenport | 2:33 |
| 2. | I'm The First Girl In The Second Row | Nancy Walker and Pembroke Davenport | 2:44 |
| 3. | I'm Not So Bright | Harold Lang and Pembroke Davenport | 2:43 |
| 4. | I'm Tired Of Texas | Chorus and Nancy Walker and Pembroke Davenport | 2:59 |
| 5. | Tiny Room | Bill Shirley and Pembroke Davenport | 3:18 |
| 6. | The Little Boy Blues | Hugh Martin and Pembroke Davenport and Sandra Deel | 3:13 |
| 7. | If You'll Be Mine | - Bill Shirley and Nancy Walker and Pembroke Davenport | 2:17 |
| 8. | Shauny O'Shay -Chorus and Pembroke Davenport and Sandra Deel | 3:17 | |
| 9. | Let's Do A Ballet | Bill Shirley and Company and Harold Lang and Loren Welch and Nancy Walker and Pembroke Davenport and Sandra Deel | 3:08 |
| 10. | Horrible, Horrible Love | Chorus and Nancy Walker and Pembroke Davenport and Sandra Deel | 2:59 |
| 11. | Gotta Dance (Alternate) | Chorus and Harold Lang and Pembroke Davenport | 2:32 |
| 12. | Shauny O'Shay (Alternate) | Chorus and Pembroke Davenport and Sandra Deel | 3:28 |
| 35:10 |
In the liner notes to this CD, the show's lyricist-composer, Hugh Martin, sheepishly acknowledges, 'I wished I had tried harder, like Avis.' He shouldn't be so hard on himself, because Look, Ma, I'm Dancin'! is a surprisingly entertaining curio. The 1948 show was based on a concept by Jerome Robbins, who also contributed choreography. Brilliant comedienne Nancy Walker (On the Town) plays a Milwaukee brewery heiress who wants to join a ballet company; of course, wacky high jinks ensue. Walker displays her comic timing and sense of swing, particularly on the smashing 'I'm Tired of Texas.' Martin's melodic skills are on evidence throughout--even on tracks such as 'Shauny O'Shea,' which he bizarrely describes as 'totally boring' in his notes! But then, this is the man who cowrote the wonderful score for Vincente Minnelli's classic Meet Me in St. Louis--how boring can he ever get?