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Bernstein Conducts Bernstein


映画 ミュージカル | 年: 2003 | フォーマット: CD, ダウンロード
 

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# トラック アーティスト/作曲家 期間
Dance Episodes (3) from On the Town, for orchestra
1.I. The Great Lover. Allegro pesante1:51
2.II. Lonely Town: Pas de deux. AndanteSostenuto3:40
3.III. Times Square: 1944. Allegro4:54
 
Fancy Free, ballet
4.Big Stuff (Blues)0:35
5.I. Opening Dance3:04
6.II. Scene at the Bar1:49
7.III. Enter Two Girls2:50
8.IV. Pas de deux3:18
9.V. Competition Scene3:17
10.VI. Variation I. Galop1:27
11.VI. Variation II. Waltz2:39
12.VI. Variation III. Danzon2:48
13.VII. Finale5:01
14.Big Stuff (Blues)1:56
15.Facsimile, Choreographic Essay, for orchestra (from the ballet)19:14
 58:22
# トラック   期間
1.Overture to Candide, for orchestra4:25
 
Symphonic Dances (9) from West Side Story, for orchestra (orchestrated with Ramin & Kostal)
2.Prologue: Allegro moderato4:06
3.Somewhere: Adagio4:35
4.Scherzo: Vivace leggiero1:19
5.Mambo: Presto2:20
6.Cha-Cha: Andantino con grazia0:54
7.Meeting Scene: Meno mosso0:47
8.Cool, Fugue: Allegretto3:43
9.Rumble: Molto allegro1:55
10.Finale: Adagio3:19
 
On the Waterfront, symphonic suite
11.Andante (with dignity),Presto barbaro3:17
12.Adagio, Allegro molto agitato, Alla breve (Poco pių mosso),Presto come prima2:23
13.Andante largamente, More flowing Lento5:11
14.Moving forward Largamente, Andante come prima3:45
15.Allegro non troppo, molto marcato, Poco pių sostenuto4:44
16.A tempo (poco pių sostenuto)2:20
 
Prelude, Fugue & Riffs, for clarinet & jazz ensemble
17.Prelude (for the Brass): Fast and exact1:54
18.Fugue (for the Saxes): Exactly the same beat1:50
19.Riffs (for Everyone)4:31
 57:18
# トラック   期間
Symphony No.1 (Jeremiah), for mezzo-soprano & orchestra
1.I. Prophecy: Largamente7:14
2.II. Profanation: Vivace con brio6:53
3.III. Lamentation: Lento10:37
 
Symphony No. 2 (The Age of Anxiety), for piano & orchestra or 2 pianos
4.Part1: The Prologue. Lento moderato2:20
5.Part: The Seven Ages. Variations 1-78:13
6. Part 1: The Seven Stages. Variations 8-14 6:06
7.Part 2: The Dirge. Largo 5: 5
 
Symphony No. 2 (The Age of Anxiety), for piano & orchestra or 2 pianos
8.Part 2: The Masque. Extremely fast 4:42
 
Symphony No. 2 (The Age of Anxiety), for piano & orchestra or 2 pianos
9. Part 2: The Epilogue. L'istesso tempo - Adagio - Andante - Con moto 8:06
 59:16
# トラック   期間
Chichester Psalms, for boy soloist, chorus & orchestra
1.I. Psalm 108 (verse 2); Psalm 100 (complete)3:38
2.II. Psalm 23 (complete); Psalm 2 (Verses 1-4)5:36
3.III. Psalm 131 (complete); Psalm 133 (Verse 1)9:50
 
Symphony No. 3 (Kaddish), for soprano, speakers, choruses & orchestra
4.I. Invocation: Adagio3:00
5.Kaddish4:57
6.II. Din-Torah: Di nuovo Adagio5:57
7.Kaddish8:13
8.III. Scherzo: Presto scherzando, sempre pianissimo4:36
9.Finale: Adagio come nel Din-Torah2:43
10.Allegro vivo, con gioia9:52
 58:22
# トラック   期間
Divertimento, for orchestra
1.I. Sennets and Tuckets: Allegro non troppo, ma con brio1:18
2.II. Waltz: Allegretto, con grazia2:13
3.III. Mazurka: Mesto (molto moderato)1:56
4.IV. Samba: Allegro giusto0:59
5.V. Turkey Trot: Allegretto, ben misurato1:56
6.VI. Sphinxes: Adagio lugubre0:52
7.VII. Blues: Slow blues tempo1:39
8.VIII. March: The BSO Forever3:44
9.A Musical Toast, for orchestra2:23
10.Slava! A Political Overture, for orchestra4:16
 
Meditations (3) from Mass, for cello & orchestra; also for cello & piano
11.I. Lento assai, molto sostenuto4:34
12.II. Andante sostenuto, Variations I-IV, Coda4:08
13.III. Presto, Fast and primitive, Molto adagio8:23
14.Halil, nocturne for flute solo, piccolo, alto flute, percussion & harp; also for flute, piano & percussion16:03
 54:24
# トラック   期間
Concerto for Orchestra (Jubilee Games), for orchestra
1.Free-Style Events: Allegro con brio, giocoso7:27
2.Mixed Doubles: Theme and Seven Variations10:30
3.Diaspora Dances: Vivace6:12
4.Benediction: Moderato, invocando6:00
 
Dybbuk, Suite No.1, for tenor, bass & orchestra
5.No. 1. Invocation and Trance4:54
6.No. 2. The Pledge4:36
7.No. 3. Kabbalah4:32
8.No. 4. Posession2:36
9.No. 5. Pas de deux5:29
10.No. 6. Exorcism8:31
 
Dybbuk, Suite No.2 (Eight Dances), for orchestra
11.No. 1. The Messengers2:05
12.No. 2. Leah3:01
13.No. 3. Five Kabbalah Variations6:33
14.No. 4. Dream5:24
 77:49
# トラック アーティスト/作曲家 期間
Serenade (after Plato: Symposium), for violin, harp, percussion & strings; also for violin & piano
2.II. Aristophanes: Allegretto4:11
3.III. Erixymachus: Presto1:29
4.IV. Agathon: Adagio6:31
5.V: Socrates: Alcibiades: Molto tenutoAllegro molto vivace10:34
 
Songfest, song cycle for 6 singers & orchestra or piano
6.I. Opening Hymn: To the Poem3:25
7.II. Three Solos: The Pennycandystore Beyond the El1:56
8.II. Three Solos: A Julia de Burgos3:34
9.II. Three Solos: To What You Said5:28
10.III. Three Ensembles: I, Too, Sing America / Okay3:51
11.III. Three Ensembles: Trio. To My Dear and Loving Husband3:59
12.III. Three Ensembles: Duet. Storyette H.M.1:55
13.IV. Sextet: If you can't eat you got to2:25
14.V. Three Solos: Music I Heard With You3:30
15.V. Three Solos: Zizi's Lament2:32
16.V. Three Solos: Sonnett. What lips my lips have kissed5:26
17.VI. Closing Hymn: Israfel4:31
 65:16
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As orchestras struggle to reconnect with the vernacular musical experiences of their listeners, Deutsche Grammophon's hefty boxed set of Bernstein Conducts Bernstein couldn't be more timely. This box collects Bernstein performances from the 1970s and '80s, with a large group coming from his epochal 1977 concerts with the Israel Philharmonic in Berlin. This material has already been variously repackaged, but it's well worthwhile to have it all presented together. It's startling to realize, as you explore the seven-plus hours of music here, how well Bernstein as a composer anticipated today's trends. The rapprochement of a modern musical language with jazz and pop? From the very start, in the by-now-familiar Fancy Free. A determined embrace of the eclectic? Through his entire career, ranging from his rather Stravinskian treatment of symphonic jazz in the early days to later music in which serialist (and even aleatoric in the Concerto for Orchestra (Jubilee Games)) techniques coexist with traditional styles. The use of the symphony as a vehicle for the investigation of spiritual questions? Absolutely, in all three symphonies, in different ways. These performances were all more or less successful when originally released, and it has become a truism that Bernstein was the best interpreter of his own works. From the evidence here one might argue that in the rather personal symphonies no other conductor can match Bernstein, who here avoided the excesses of his Mahler interpretations even as he took up kindred metaphysical issues. And when it came to the sexy, meaty appeal of the Symphonic Dances From West Side Story (1957), nobody else can touch Bernstein's versions. But now one can find room for other interpretations of such works as the Orff-like Chichester Psalms. The price, for seven discs, is right, and the remastered CD sound is more than adequate.


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