A Scanner Darkly
| # | トラック | アーティスト/作曲家 | 期間 |
|---|---|---|---|
| 1. | 7 Years From Now | 1:08 | |
| 2. | Aphids | 2:55 | |
| 3. | Swallowed Up in Victory | 0:51 | |
| 4. | Strawberry Pie | 4:04 | |
| 5. | The Dark World Where I Dwell | 2:15 | |
| 6. | Sex, Beer and Pills | 1:53 | |
| 7. | A Farm Near the Mountain | 1:37 | |
| 8. | Bug-Bite Squared | 2:28 | |
| 9. | Pose as a Nark | 2:34 | |
| 10. | Do You Like Cats? | 2:04 | |
| 11. | A Scanner Darkly | 2:50 | |
| 12. | Abrasocaine | 0:43 | |
| 13. | Part of the Plan | 1:07 | |
| 14. | Are You Experiencing Technical Difficulties? | 2:16 | |
| 15. | Your Move, Peterbilt | 1:25 | |
| 16. | Room 203 | 2:04 | |
| 17. | Escorted to the Bright Lights | 2:56 | |
| 18. | You'll See the Way You Saw Before | 2:57 | |
| 19. | A New Path | 1:51 | |
| 20. | Little Blue Flowers | 3:05 | |
| 21. | Darkly Mix | Jack Dangers | 3:39 |
| 22. | Call Sign/Aleph;/ | DJ Spooky | 4:28 |
| 51:10 |
Scanner Darkly is Richard Linklater’s adaptation of the Philip K. Dick classic novel. Graham Reynolds composed the original music, which he performed with a cast of Austin-based musicians including his group Golden Arm Trio. The soundtrack recording, on Lakeshore Records, features the score plus two re-mixes, by DJ Spooky and Jack Dangers (Meat Beat Manifesto)
Reynolds began with an all-acoustic, somewhat jazz-noir sound, and kept exploring different approaches, ending up with music that was halfway between an acoustic and an electronic score. Reynolds described, “all the sounds originally came from acoustic instruments, but for much of the film, they are processed, mangled, and otherwise transformed. The result is something very textured and organic, but also otherworldly, sounding drug-induced and unidentifiable.”
The result is a score called “eerily evocative” by Variety. Cinematical says “Graham Reynolds’ score… fit subtly and perfectly with the unique look of the film.”
Reynolds began with an all-acoustic, somewhat jazz-noir sound, and kept exploring different approaches, ending up with music that was halfway between an acoustic and an electronic score. Reynolds described, “all the sounds originally came from acoustic instruments, but for much of the film, they are processed, mangled, and otherwise transformed. The result is something very textured and organic, but also otherworldly, sounding drug-induced and unidentifiable.”
The result is a score called “eerily evocative” by Variety. Cinematical says “Graham Reynolds’ score… fit subtly and perfectly with the unique look of the film.”
その他のリリース A Scanner Darkly (2006):
