Classic 100-Music in the Movies
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| # | Track | Duration | |
|---|---|---|---|
| 1. | MORRICONE The Mission-Gabriel’s Oboe (No. 1) | ||
| 2. | WILLIAMS Star Wars-Main Title (No. 2) | ||
| 3. | SHORE The Fellowship of the Ring–The Fellowship (No. 3) | ||
| 4. | VANGELIS arr. AYRES Chariots of Fire (No. 4) | ||
| 5. | JARRE Doctor Zhivago–Lara’s Theme (No. 5) | ||
| 6. | JARRE Lawrence of Arabia–Overture (No. 6) | ||
| 7. | BEETHOVEN Piano Concerto in E-flat major, Op. 73 ‘Emperor’: II. Adagio un poco moto (No. 7) (The King’s Speech, Picnic at Hanging Rock, Dead Poets Society, Immortal Beloved) | ||
| 8. | BARRY Out of Africa–Theme (No. 8) | ||
| 9. | NYMAN The Piano–Big My Secret (No. 9) | ||
| 10. | WILLIAMS Schindler’s List–Theme (No. 10) | ||
| 11. | ALBINONI arr. GIAZOTTO Adagio in G minor (No. 11) (Gallipoli, The Trial) | ||
| 12. | SMEATON & ZAMFIR Picnic at Hanging Rock–Theme (No. 12) | ||
| 13. | R. STRAUSS Also sprach Zarathustra (Thus Spake Zarathustra): Introduction (No. 13) (2001: A Space Odyssey, Casino) | ||
| 14. | COATES The Dam Busters–March (No. 14) | ||
| 15. | WILLIAMS arr. BLACK Raiders of the Lost Ark–Main Title (No. 15) | ||
| 16. | MORRICONE Cinema Paradiso–Main Theme (No. 16) | ||
| 17. | MOZART Requiem, KV626: I. Introit (No. 17) (Amadeus, Elizabeth, The Big Lebowski) |
| # | Track | Duration | |
|---|---|---|---|
| 1. | THEODORAKIS Zorba the Greek–Zorba’s Dance (No. 18) | ||
| 2. | JOPLIN The Entertainer (No. 19) (The Sting) | ||
| 3. | KARAS The Third Man–Harry Lime Theme (No. 20) | ||
| 4. | MORRICONE The Good, the Bad and the Ugly (No. 21) | ||
| 5. | SHOSTAKOVICH arr. ATOVMYAN The Gadfly–Concert Suite, Op. 97a: Romance (No. 22) | ||
| 6. | BARBER Adagio for Strings, Op. 11 (No. 23) (Platoon, Lorenzo’s Oil) | ||
| 7. | WAGNER The Ride of the Valkyries from Die Walküre (No. 26) (Apocalypse Now, The Blues Brothers) | ||
| 8. | KNOPFLER arr. WELLS Local Hero Saxophone Concerto: IV. Going Home (No. 27) | ||
| 9. | MOZART Piano Concerto No. 21 in C major, KV467 ‘Elvira Madigan’: II. Andante (No. 31) (Elvira Madigan) | ||
| 10. | GERSHWIN orch. GROFÉ Rhapsody in Blue (No. 36) (Manhattan, Fantasia (2000)) | ||
| 11. | DUKAS The Sorcerer’s Apprentice (No. 37) (Fantasia, Fantasia (2000)) |
| # | Track | Duration | |
|---|---|---|---|
| 1. | GERSHWIN An American in Paris (No. 39) (An American in Paris, As Good As It Gets) | ||
| 2. | WESTLAKE Antarctica–Penguin Ballet (No. 41) | ||
| 3. | MAHLER Symphony No. 5 in C-sharp minor: IV. Adagietto (No. 45) (Death in Venice, Lorenzo’s Oil) | ||
| 4. | BACH Cello Suite No. 1 in G major, BWV1007: I. Prelude (No. 45) (Master and Commander, Hilary and Jackie) | ||
| 5. | HERRMANN Psycho–The Murder (No. 47) | ||
| 6. | ALFORD Colonel Bogey–March (No. 49) (The Bridge on the River Kwai) | ||
| 7. | MANCINI Breakfast at Tiffany’s–Moon River (No. 51) | ||
| 8. | ELGAR Cello Concerto in E minor, Op. 85: I. Adagio–Moderato (No. 52) (Hilary and Jackie, Lorenzo’s Oil, Paradise Road) | ||
| 9. | PUCCINI O mio babbino caro from Gianni Schicchi (No. 53) (A Room with a View, Assassins, G.I. Jane) | ||
| 10. | BACH Goldberg Variations, BWV988: Aria (No. 55) (The English Patient, The Silence of the Lambs, Before Sunrise, Maurice) | ||
| 11. | TIERSEN Amélie–La Valse d’Amélie (Amélie’s Waltz) (No. 57) | ||
| 12. | BEETHOVEN Symphony No. 7 in A major, Op. 92: II. Allegretto (No. 60) (The King’s Speech, Immortal Beloved) | ||
| 13. | ROWLAND The Man from Snowy River–Opening Credits (No. 61) | ||
| 14. | J STRAUSS II On the Beautiful Blue Danube–Waltz, Op. 314 (No. 62) (2001: A Space Odyssey, Before Sunrise, Cool Runnings) |
| # | Track | Duration | |
|---|---|---|---|
| 1. | WILLIAMS Superman–Main Theme (No. 69) | ||
| 2. | RACHMANINOFF Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non tanto (No. 70) (Shine) | ||
| 3. | ELGAR Variations on an Original Theme, Op. 36 (Enigma Variations): Variation IX ‘Nimrod’ (No. 71) (Elizabeth, Australia) | ||
| 4. | DEBUSSY Clair de lune from Suite bergamasque (No. 75) (Ocean’s Eleven, Seven Years in Tibet, Frankie and Johnny, Twilight) | ||
| 5. | ADLER Genevieve–Waltz (No. 77) | ||
| 6. | ELGAR Pomp and Circumstance March No. 1 (No. 81) (Brassed Off, A Clockwork Orange, Fantasia (2000)) | ||
| 7. | RAVEL Boléro (No. 84) (10, Allegro non troppo, Paradise Road) | ||
| 8. | BACH Brandenburg Concerto No. 3 in G major, BWV1048: I. (Allegro) (No. 87) (Truly Madly Deeply, Die Hard, Moll Flanders) | ||
| 9. | CATALANI Ebben? Ne andrò lontana from La Wally (No. 92) (Diva, Crimson Tide) | ||
| 10. | VAUGHAN WILLIAMS The Lark Ascending (excerpt) (No. 95) (The Year My Voice Broke) | ||
| 11. | WILLIAMS E.T. The Extra-Terrestrial–Theme (No. 99) |