The End of the Tour


Lakeshore Records (0780163450224)
Film | Date de sortie: 24/07/2015 | Sortie du film: 2015 | Type: CD, Téléchargement
 

Inscrivez-vous!

Restez informé et d'obtenir un meilleur accès aux informations des collectionneurs!





 

# Track Artiste/Compositeur Duration
1.Intro 
2.Talk to Jan 
3.Sunlight Bathed the Golden GlowFelt 
4.Perfect CircleR.E.M. 
5.Room of Books 
6.Minneapolis 
7.Reprise 1 
8.They Don't KnowTracey Ullman 
9.Our Lips Are SealedFun Boy Three 
10.Going Sour 
11.The Tour’s Over 
12.Mall Of America 
13.Walking the Dog 
14.Invasion 
15.The Shoe 
16.The Big ShipBrian Eno 
17.HereTindersticks 
18.Reprise 2 
Introduisez votre critique

 

THE END OF THE TOUR tells the story of the five-day interview between Rolling Stone reporter and novelist David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, “Infinite Jest.” As the days go on, a tenuous yet intense relationship seems to develop between journalist and subject. The two men bob and weave around each other, sharing laughs and also possibly revealing hidden frailties – but it’s never clear how truthful they are being with each other. Ironically, the interview was never published, and five days of audiotapes were packed away in Lipsky’s closet. The two men did not meet again.

The film is based on Lipsky’s critically acclaimed memoir “Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace” about this unforgettable encounter, written following Wallace’s 2008 suicide. Both Segel and Eisenberg reveal great depths of emotion in their performances and the film is directed with humor and tenderness by Sundance vet James Ponsoldt from Pulitizer Prize winner Donald Margulies’ insightful and heartbreaking screenplay.

Ponsoldt was also ecstatic to get composer Danny Elfman to write the original music for the film. His Assistant Director Nick Harvard recommended Elfman, a family friend, for the film. “I was interested in doing something that would be like 25 minutes of score that’s ultra minimalist, that’s real undertones to the movie,” Ponsoldt described. “I think he was really excited about the challenge of this.”

Over the last 30 years, four-time Oscar® nominee Danny Elfman has established himself as one of the most versatile and accomplished film composers in the industry. He has collaborated with such directors as Tim Burton, David O. Russell, Gus Van Sant, Sam Raimi, Paul Haggis, Ang Lee, Rob Marshall, Guillermo del Toro, Brian De Palma, and Peter Jackson.

A native of Los Angeles, Elfman grew up loving film music. He travelled the world as a young man, absorbing its musical diversity. He helped found the band Oingo Boingo, and came to the attention of a young Tim Burton, who asked him to write the score for Pee-wee’s Big Adventure. 30 years later, the two have forged one of the most fruitful composer-director collaborations in film history. In addition to his film work, Elfman wrote the iconic theme music for The Simpsons and Desperate Housewives.


Elfman has scored a broad range of films, including: Milk (Oscar nominated), Good Will Hunting (Oscar nominated), Big Fish (Oscar nominated), Men in Black (Oscar nominated), Edward Scissorhands, Wanted, Charlie and the Chocolate Factory, Mission: Impossible, Planet of the Apes, A Simple Plan, To Die For, Spider-Man (1 & 2), Batman, Dolores Claiborne, Sommersby, Chicago, Dick Tracy, The Nightmare Before Christmas and Alice in Wonderland.


Signaler une erreur ou envoyer des infos supplémentaires!: Connexion

 



Plus