The Kingdom
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| # | Track | Duration | |
|---|---|---|---|
| 1. | The Kingdom - Titles | 4:30 | |
| 2. | Waiting | 2:20 | |
| 3. | Attack on the Compound | 2:44 | |
| 4. | The Detonator | 1:57 | |
| 5. | The Killing Room/Trouble Coming... | 2:02 | |
| 6. | To the Prince's | 1:10 | |
| 7. | Digging Deep | 1:18 | |
| 8. | Starting to Click/Saving Leavitt | 4:55 | |
| 9. | Friendship | 3:50 | |
| 10. | The Chase | 4:49 | |
| 11. | The Sales Pitch | 2:12 | |
| 12. | The Marble | 1:08 | |
| 13. | Finale | 6:50 | |
| 39:45 |
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Danny Elfman s'en va en guerre. Abandonnant radicalement le style baroque qui le caractérise, il signe des compositions tribales, aux sonorités sourdes et étouffées teintées d'électronique. En axant son travail sur les percussions, Elfman maintient une certaine tension, indispensable à un film de ce genre. 'The Kingdom - Titles' est à l'image de l'album entier: rythme soutenu, guitares et violons s'agencent, non pas de manière lyrique ou spectaculaire, mais dans un climat aride, inquiétant et hostile - exactement celui reflété par les images du long métrage. L'emploi notable (et inhabituel, notamment dans 'To The Prince's') de la basse renforce cette impression, apportant de la profondeur à un ensemble qui serait sinon un peu terne. Mais la vraie surprise arrive dans des pistes comme 'Waiting', 'Friendship' ou 'Finale': un thème principal serein et apaisant, en forme de ballade à la guitare sur un tapis de synthétiseurs.
Pas toujours originale ni marquante, mais très efficace, la musique de 'The Kingdom' vaut surtout pour son thème principal inattendu.
Pas toujours originale ni marquante, mais très efficace, la musique de 'The Kingdom' vaut surtout pour son thème principal inattendu.
Academy Award winner Jamie Foxx leads an all-star ensemble in a timely thriller that tracks a powder-keg criminal investigation shared by two cultures chasing a deadly enemy ready to strike again in The Kingdom.
When a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury (Foxx) quickly assembles an elite team (Oscar winner Chris Cooper and Golden Globe winners Jennifer Garner and Jason Bateman) and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. Upon landing in the desert kingdom, however, Fleury and his team discover Saudi authorities suspicious and unwelcoming of American interlopers into what they consider a local matter. Hamstrung by protocol ¬ and with the clock ticking on their five days ¬ the FBI agents find their expertise worthless without the trust of their Saudi counterparts, who want to locate the terrorist in their homeland on their own terms.
Fleury’s crew finds a like-minded partner in Saudi Police Captain Al-Ghazi (Ashraf Barhoum), who helps them navigate royal politics and unlock the secrets of the crime scene and the workings of an extremist cell bent on further destruction. With these unlikely allies sharing a propulsive commitment to crack the case, the team is united by one mission that won't stop until justice is found in The Kingdom.
Danny Elfman contributes one of his most exciting scores ever for this gritty political thriller. It’s thrilling and propulsive, and one of the most anticipated scores of the Fall.
Daniel Robert Elfman (born May 29, 1956 in Los Angeles, California) is an American singer-songwriter who led the rock band Oingo Boingo from 1976 until its breakup in 1995, and has since 1985's Pee-Wee's Big Adventure worked as a film score composer. He has been nominated for three Academy Awards; he won a Grammy Award for Tim Burton's Batman and an Emmy Award for his Desperate Housewives theme.
When a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury (Foxx) quickly assembles an elite team (Oscar winner Chris Cooper and Golden Globe winners Jennifer Garner and Jason Bateman) and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. Upon landing in the desert kingdom, however, Fleury and his team discover Saudi authorities suspicious and unwelcoming of American interlopers into what they consider a local matter. Hamstrung by protocol ¬ and with the clock ticking on their five days ¬ the FBI agents find their expertise worthless without the trust of their Saudi counterparts, who want to locate the terrorist in their homeland on their own terms.
Fleury’s crew finds a like-minded partner in Saudi Police Captain Al-Ghazi (Ashraf Barhoum), who helps them navigate royal politics and unlock the secrets of the crime scene and the workings of an extremist cell bent on further destruction. With these unlikely allies sharing a propulsive commitment to crack the case, the team is united by one mission that won't stop until justice is found in The Kingdom.
Danny Elfman contributes one of his most exciting scores ever for this gritty political thriller. It’s thrilling and propulsive, and one of the most anticipated scores of the Fall.
Daniel Robert Elfman (born May 29, 1956 in Los Angeles, California) is an American singer-songwriter who led the rock band Oingo Boingo from 1976 until its breakup in 1995, and has since 1985's Pee-Wee's Big Adventure worked as a film score composer. He has been nominated for three Academy Awards; he won a Grammy Award for Tim Burton's Batman and an Emmy Award for his Desperate Housewives theme.
Bande annonce:
La bande annonce de cette B.O. contient de la musique de:
Tribal Throb, X-Ray Dog (Film)
Black Hawk Down (2002), Hans Zimmer (Track 7. Synchrotone) (Film)
With Great Power, Future World Music (Film)
The Joshua Tree (1987): Bullet The Blue Sky', U2 (Film)
Destructive Journey, Audiomachine (Film)
Massacre (no choir), Audiomachine (Film)
The Prisoners, Audiomachine (Film)
La bande annonce de cette B.O. contient de la musique de:
Tribal Throb, X-Ray Dog (Film)
Black Hawk Down (2002), Hans Zimmer (Track 7. Synchrotone) (Film)
With Great Power, Future World Music (Film)
The Joshua Tree (1987): Bullet The Blue Sky', U2 (Film)
Destructive Journey, Audiomachine (Film)
Massacre (no choir), Audiomachine (Film)
The Prisoners, Audiomachine (Film)