Enemy of the State


Hollywood Records Germany (4029758020029)
Hollywood Records US (0720616216021)
Película | Fecha de estreno: 24/11/1998 | Estreno de película: 1998 | Medio: CD, Descarga
 

¡Subscríbete!

¡Manténgase informado y obtener mejor acceso a la información de los coleccionistas!





 

# Pista   Duración
1.Main Titles2:55
2.Enemy Of The State Main Theme2:55
3.Brill's Theme3:28
4.The Ferry1:16
5.Hotel Chase Part 23:45
6.Zavitz Chase Part 12:02
7.NSA Research2:35
8.Brill and Dean Meet4:13
9.Free Ferry0:37
10.Nanny Drive1:32
11.Final Confrontation8:43
12.Coal Yard Part13:42
13.Face to Face3:09
14.The Tunnel Part 11:57
15.Coal Yard Part 24:53
16.Rachel's Found Dead5:18
17.Wish You Were Here1:59
 54:58
Manda tu crítica Ocultar reseñas en otros idiomas

 

Enemy of the State - 06/10 - Crítica de Andreas Lindahl, Publicado en (Inglés)
Originally Zimmer was slated for this film, and the trailers I have seen still has his name in the credits. For some reason, I suppose he passed the project on to a couple of his partners at Media Ventures.

To be frank, these kind of action scores are starting to become a little tiresome, silly and a cliché. Why do every action score from the guys at Media Venture have to sound the same. I know that computers and synths are common tools for those guys, which makes me wonder whether they are using something like Microsoft Action Score Composer 98... ("Click here to add some cool percussion" or "Click OK to get some nice staccato string chords") There seems to be so much routine in the music. It does its job in the film, and it kind of works on CD too, but where are the creativity, the brain and the great, new, ideas?

So, this score follows the formula Trevor Rabin, Herry Gregson-Williams and the other guys seem to use. There's a catchy, powerful main theme, that's really good; there's the constant use of all kinds of percussion; cool electronic sounds and those staccato, often low, strings. Wouldn't it be about time to come up with something new, and leave this kind of scoring behind? That's what I'm thinking when listing to Enemy of the State. At the same time I do understand why they keep writing these scores. They're good. It's hard not to enjoy the music. And it always sounds great when the main theme kicks in with full power. However, the use of the main theme is the biggest problem with Enemy of the State - it isn't used so much. In fact, there aren't much thematic material in the score at all. Instead what we get is 50 minutes of non stop action that just goes on and on and on and... It would have been nice with some rest, i.e. some softer music, between the action. And I find it hard to appreciate action music without themes to revolve around.

But I can't get away from the fact that I somewhat like it anyway. Because it gets your adrenaline pumping. It is rousing action music. But it doesn't leave any memories. I've listened to the soundtrack a couple of times now, and I still can't hum anything at all from it. But, if you loved Armageddon, and can't get enough of action music a la Hans Zimmer (whose action scores I love, by the way) I suppose you will like this soundtrack, too. But I want something new.
Enemy of the State - 08/10 - Crítica de Damien , Publicado en (Francés)
Trevor Rabin et Harry Gregson-Williams donnent avec Enemy of the State la preuve de leur savoir faire en matière d'action et de tension. 'Main Titles' donne le ton d'une bande originale très électronique, qui colle bien au côté 'high tech' du film.
Enorme suprise pour le deuxième titre: 'Enemy of the State Main Theme' propose un thème vibrant, dans la lignée des plus grands morceaux de Hans Zimmer. Thème principal d'autant plus réussi que le compositeur s'efforce de n'y revenir qu'ocasionnellement.
La suite est un alignement de morceaux d'action intenses bourrés de synthétiseurs, qui ne laissent à l'auditeur (et au spectateur!) aucun répit. Les compositeurs et Will Smith courent donc main dans la main, livrant dans leur fuite éperdue quelques titres d'une efficacité redoutable, comme 'Hotel Chase Part 2', ou 'Zavitz Chase Part 1'.
Joli retour au calme, avec le paisible 'Rachel's Found Dead', en bout d'album.
Un soundtrack hyperactif donc, bien ficelé, mais dont hélas bien peu de titres se détachent. Fort heureusement, ceux-là sont inoubliables.
Enemy of the State - 08/10 - Crítica de Arvid Fossen, Publicado en (Neerlandés)
Enemy of the State, de high tech versie van Big brother is watching you. Will Smith op de vlucht voor een criminele elite die opereert vanuit de machtigste overheidsinstanties. Deze bikkelharde suspense thriller zit vol met technische snufjes, constante achtervolgingsscènes. Deze ingrediënten zijn zowat de basis voor de score van Trevor Rabin en Harry Gregson-Williams. Trevor Rabin en Harry Gregson Williams, maken deel uit van het groepje componisten rond Hans Zimmer's Mediaventures, wat maakt dat de compositiestijl en orkestratie - vooral synthesizers - erg gelijkaardig is. Het main theme is een erg knap en fascinerend, eerder trance, de actie is even elektronisch en met veel suspense trekjes. Deze vele suspense wendingen in de muziek, en het zuinig omspringen met patriottische clichés, maakt dit album nu net beter dan de meeste andere van dit genre.
Enemy of the State - 08/10 - Crítica de Peter Van Riet, Publicado en (Neerlandés)
Een goede degelijke soundtrack, al moet ik zeggen dat hier duidelijk nog werd gezocht naar een goed evenwicht tussen synthesizers en echt orkest(beats, effecten, etc...). Er zit echter mooi thematisch materiaal tussen..

Otras versiones de Enemy of the State (1998):

Enemy of the State (1998)


Notificar un error o enviar información adicional!: Iniciar

 



Más