Far Away Places: Patti LuPone
Live at 54 BELOW


Broadway Records (0884501800280)
Musical | Fecha de estreno: 15/01/2013 | Medio: CD, Descarga
 

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# Pista   Duración
1.Gypsy in My Soul2:52
2.Night Life3:00
3.Intro: Back Then...0:57
4.Bilbao Song4:54
5.Far Away Places4:11
6.Black Market3:24
7.Come to the Supermarket in Old Peking5:29
8.Intro: I Have Sicilian Blood1:28
9.I Wanna Be Around3:21
10.Ah, the Sea Is Blue0:50
11.I Cover the Waterfront2:38
12.Pirate Jenny4:19
13.By the Sea3:25
14.Intro: I Do All Kinds of Accents... Just Like Meryl0:50
15.I Regret Everything2:34
16.Hymn to Love3:07
17.Travelin' Light4:33
18.Intro: Give My Regards to Broadway0:53
19.Nights on Broadway3:53
20.September Song4:20
 60:58
Manda tu crítica

 

[Patti] embodies decades of show business history. And her brilliant show, conceived and directed by her longtime collaborator, Scott Wittman, deserves many lives, perhaps even a Broadway run in an expanded edition. It certifies Ms. LuPone's place in the lineage of quirky international chanteuses like Lotte Lenya, Marlene Dietrich and Edith Piaf, who, like Ms. LuPone, conquered show business with forceful, outsize personalities while playing by their own musical rules. --New York Times

Every now and again there comes an experience that you immediately know you will always remember. That happened for me at Patti LuPone's cabaret evening 'Far Away Places,' christening the snazzy new nightclub 54 Below, which occupies the basement of Studio 54. LuPone levitated the audience of Broadway insiders in the intimate room, compellingly designed by John Lee Beatty in the style of a 1920s speakeasy, as effortlessly as she might flash one of her sly smiles. It was, simply, magic. --Backstage

Every now and again there comes an experience that you immediately know you will always remember. That happened for me at Patti LuPone's cabaret evening 'Far Away Places,' christening the snazzy new nightclub 54 Below, which occupies the basement of Studio 54. LuPone levitated the audience of Broadway insiders in the intimate room, compellingly designed by John Lee Beatty in the style of a 1920s speakeasy, as effortlessly as she might flash one of her sly smiles. It was, simply, magic.


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