U.S. Marshals
(Digital)


Varèse Sarabande Digital 04/02/2021 Download
 

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# Track   Duration
1.The Set Down1:29
2.Nuggets & Bullets1:50
3.Prison Plane0:52
4.Broken Glasses0:44
5.Zip Gun1:49
6.Almost Down1:23
7.Sinking Plane4:23
8.Consider Him Dangerous0:53
9.At Knife Point0:13
10.The Pen1:29
11.Heading For The Swamp2:25
12.Swamp Search6:05
13.Listen To Me1:24
14.The Humidor0:33
15.Take It All1:30
16.Gym Of The Living Dead0:42
17.Dead In The Shower1:39
18.Eyes On The City4:52
19.Got You0:30
20.Airport Locker1:57
21.The Consulte0:59
22.Following Chen5:58
23.Cemetery Watch1:24
24.Across The Cemetery1:09
25.Funeral Ambush2:01
26.The Front Gate2:28
27.Up The Stairs2:13
28.Into The Building1:07
29.Mark And Royce Fight1:59
30.Turn Around0:32
31.We Lost Him1:43
32.The Wrapper0:40
33.The Great Sam1:03
34.Ship Fight1:18
35.Mark's Wounded0:38
36.The Glock0:22
37.Trying To Escape1:19
38.Free To Go2:40
39.End Credits7:19
 73:34
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Varèse Sarabande Records new digital titles

Added on Saturday, April 03, 2021  

Varèse Sarabande Records new digital titles

Varèse Sarabande Records presents the digital release of six other Varèse Club Editions.

Varèse Sarabande Records presents the digital release of six other Varèse Club Editions.

The new titles include:
Wild Wild West (music by Elmer Bernstein)
Looney Tunes: Back in Action & U.S. Marshals (score by Jerry Goldsmith)
Babe (music by Nigel Westlake)
The Stand (score by W.G. Snuffy Walden)
seaQuest DSV (music by John Debney)

All six albums are also still available on CD (Varèse Sarabande Club)

Wild Wild West (music by Elmer Bernstein)
Wild Wild West, was composed by the legendary Elmer Bernstein (The Magnificent Seven, To Kill A Mockingbird, Ghostbusters, The Great Escape). This is a score you’d expect from a master of Western themed scores – chock full of hummable melodies and big orchestral themes. This 76 minute Deluxe Edition features the score from the film along with additional music by Peter Bernstein as well as alternate versions and music not used in the film. Mastered by Chas Ferry and transferred from tapes provided by the Bernstein estate

Looney Tunes: Back in Action (score by Jerry Goldsmith)
The final film score of Jerry Goldsmith’s legendary career gets a long-awaited deluxe treatment: Looney Tunes: Back in Action (2003) reunited Goldsmith with director Joe Dante (Gremlins, Innerspace, Matinee) for an insane musical journey befitting Warner Bros.’ classic cartoon characters, with Bugs Bunny and Daffy Duck starring in a live-action/animation hybrid alongside human characters played by Brendan Fraser, Jenna Elfman, Timothy Dalton and Steve Martin.
The globetrotting adventure demanded one of Goldsmith’s zaniest scores ever, a sort of indescribable combination of slapstick, action and whimsy that lurches from high-energy symphonic chases to pop-influenced flourishes to Carl Stalling-styled “Mickey Mousing.” All of it has Goldsmith’s effortlessly melodic touch, with the special brand of left-field inspiration that always accompanied his work for Dante.
Previously released by Varèse Sarabande at the time of the movie, this deluxe edition features not only Goldsmith’s vastly expanded score, but rewrites and additional music by John Debney, Cameron Patrick and a handful of others—as well as alternates and outtakes by Goldsmith and the complete 2003 album program.

U.S. Marshals (score by Jerry Goldsmith)
Music composed and conducted by Jerry Goldsmith, our deluxe edition expands the original release from 9 to a whopping 39 tracks! The album was remastered by Bruce Botnick, Jerry Goldsmith's recording engineer for the original scoring sessions, from the original sources.
Militaristic snare drums, hammering percussion and French horns along with synth percussion puts, staccato use of the piano and keyboard percussion, define Jerry Goldsmith’s score to Stuart Baird’s 1998 action thriller U.S. Marshals.
In the sequel to the 1993 blockbuster The Fugitive, Tommy Lee Jones returns as United States Marshal Sam Gerard: He has been assigned to escort a federal prisoner to a maximum-security prison in Missouri. On the same flight is Mark Sheridan (Wesley Snipes), who has been arrested and charged with the murders of two Federal agents, though he insists he's innocent. The plane is involved in an accident leading to a crash, and after helping to rescue some of the passengers, Sheridan escapes. The State Department informs Gerard that finding Sheridan and putting him back behind bars is a top priority, and Gerard sets out on his trail, with the very much uncalled-for assistance of eccentric FBI agent John Royce (Robert Downey Jr.). However, Gerard soon begins to wonder how Sheridan became such an important man in the eyes of the government, while Sheridan is determined to find out who turned him in to the authorities.

Babe (music by Nigel Westlake)
Babe was a massive surprise hit in 1995. A children’s film starring a talking pig seemed to be the last thing anybody expected from visionary filmmaker George Miller (Mad Max), but writer-producer Miller, adapting a 1983 book with director and cowriter Chris Noonan, created a universally praised, moving film about a farm pig (a combination of animatronics and computer graphics) who longs to be a sheepdog. With a memorable lead performance by James Cromwell as Babe’s farmer-owner, Babe received glowing reviews and seven Oscar nominations, winning for Best Visual Effects.
A major part of Babe’s exquisite, perfectly pitched storybook tone is the charming, resonant symphonic score by Australian composer Nigel Westlake. Westlake interpolated a tapestry of classical works, most notably the maestoso section of Saint-Saëns’ third (Organ) symphony, to perfectly capture the human emotions of the film’s animal characters, while ironically treating the humans with an animal-like comedy and whimsy. (The Saint-Saëns melody had been adapted into the British reggae pop hit, “If I Had Words,” by Scott Fitzgerald & Yvonne Kelley; a sped-up version is used in Babe’s end credits.)
Babe was released as a music-and-dialogue album at the time of the film. This deluxe edition features the expanded score as music only.

The Stand (score by W.G. Snuffy Walden)
Walden’s musical palette for The Stand contrasts acoustic guitar, violin, flute, and piano, written and performed in a roots/folk/spiritual manner. The score is constructed around five distinctive character themes, plus a variety of ambient and aggressive motifs and musical designs, and a bit of roots-styled traveling music as well. The first section of this deluxe release contains music in film order from the original single-disc soundtrack CD, released by Varèse Sarabande in 1994. The second section contains then-previously unreleased bonus tracks compiled for the Stephen King Soundtrack Collection box set, released by Varèse in 2017, also mostly in show order.
According to Walden, the majority of the album consists of music taken from the original soundtrack recording, but a small percentage of them were newly revised for the 1994 album. “I recorded some pieces to make it work… to make it flow as its own piece.' In a few cases, therefore, some of the album tracks are structured slightly differently from how they were heard in the film itself (“Sewing the Canvas,” “Mid Country: By the Stream,” and “Locked Up,” appear to be among them, from my comparisons).
The music tracks are mixed very low in the film, often to its detriment, which makes listening to it the proper way to really appreciate the delicate elegance and structural power of Walden’s score. It remains a remarkably powerful and gracefully emotive work that deserves attention and appreciation.

seaQuest DSV (music by John Debney)
seaQuest DSV: The Deluxe Edition, was composed and conducted by Emmy winning composer, John Debney (Elf, The Orville, Iron Man 2, The Jungle Book). The original (1995) 14 track album has been expanded to 58 tracks. The album was remastered by Chas Ferry from the original sources provided by the composer. Part one features music from the show’s pilot episode, while part two features music from selected episodes from Season One curated by John Debney.
The series was set in 2018, when a political organization called the United Earth Oceans (UEO) formed in response to the colonization of the deep sea. Keeping peace among the various inter-oceanic conflicts is the grand, futuristic seaQuest DSV (“deep submergence vehicle”). The series was created by Rockne S. O’Bannon and produced by Steven Spielberg.


More info at: Official website Varèse Sarabande



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