Super Lopez
Superlópez


Quartet Records 01/25/2019 CD (8436560843580)
Movie Film release: 2018
 

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# Track   Duration
1.Prólogo en Chitón4:33
2.Títulos1:47
3.Eso no era un coche1:48
4.Crecer con bigote1:57
5.Jugando al fútbol0:39
6.Ser normal1:36
7.Hoy tengo mucho lío1:05
8.Está aquí Luisa Lana1:21
9.¿Pizza?1:59
10.Da el paso5:47
11.El arma definitiva1:44
12.Agatha Müller1:20
13.Su punto débil2:01
14.Mierda de cacharro2:29
15.Vuelta a casa1:44
16.Nuestra única esperanza2:13
17.Aprendiendo a volar1:07
18.Volando a casa0:54
19.Ya sabes dónde encontrarme4:51
20.La gente con poderes no existe1:42
21.Menuda mierda de superhéroes5:01
22.La hora de destacar4:57
23.Acabamos con esto6:18
24.Las primeras consecuencias2:06
 60:58
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Super Lopez

Added on Tuesday, January 22, 2019  

Super Lopez

Quartet Records, Telecinco Cinema and Mediaset present the new score composed by Fernando Velázquez (Deep, Ozzy, Zipi y Zape y el club de la canica, Zipi y Zape y la Isla del Capitán) for the Spanish blockbuster Superlópez, based on the popular comic books by Jan. The story is about Juan López, an ordinary and anonymous office worker, who decides to expose his superpowers and turns into the first Spanish superhero: Superlópez.

Quartet Records, Telecinco Cinema and Mediaset present the new score composed by Fernando Velázquez (Deep, Ozzy, Zipi y Zape y el club de la canica, Zipi y Zape y la Isla del Capitán) for the Spanish blockbuster Superlópez, based on the popular comic books by Jan.

The story is about Juan López, an ordinary and anonymous office worker, who decides to expose his superpowers and turns into the first Spanish superhero: Superlópez.

Fernando Velázquez’s new orchestral tour-de-force includes a memorable main theme, but also encompasses a fresh and original score full of tunes, motifs, adventure, tension and mystery. In addition to recalling John Williams’ Superman, it brings us back to the glorious sound of American adventure films in the ’80s.

Skillfully and precisely performed by the Asturias Symphony Orchestra under the baton of the composer, it was recorded, mixed and mastered by Marc Blanes.

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