Virtual Revolution
| # | Track | Duration | |
|---|---|---|---|
| 1. | Neo Paris | 0:46 | |
| 2. | Battle at Elessar | 3:18 | |
| 3. | A World of Technological Revolution | 2:13 | |
| 4. | Neo District | 0:57 | |
| 5. | Synternis | 2:40 | |
| 6. | The Streets of Neo Paris | 1:02 | |
| 7. | First Mission | 2:01 | |
| 8. | First Fight Against the Brute | 1:12 | |
| 9. | Among the Hybrids | 1:36 | |
| 10. | Peaceful Haven on Elessar | 2:56 | |
| 11. | Infiltration at Leonard's | 2:16 | |
| 12. | Second Fight Against the Brute | 1:08 | |
| 13. | I Have a Job to Do | 1:34 | |
| 14. | The Awakening of Kate | 3:23 | |
| 15. | Olmetta War | 2:31 | |
| 16. | Olmetta Gunfight | 1:47 | |
| 17. | The Tank | 2:22 | |
| 18. | Blown Cover | 0:54 | |
| 19. | What Are You Going to Do to Me | 3:01 | |
| 20. | Stilson's Arrival | 0:42 | |
| 21. | We're Looking for the Same Thing | 2:33 | |
| 22. | Are You Sure It's Worth It | 2:34 | |
| 23. | Back at Nash's Flat | 1:24 | |
| 24. | Medieval Underground Battle | 1:17 | |
| 25. | Oriental Romance | 0:48 | |
| 26. | Camylle | 0:38 | |
| 27. | What True Heroes You Are | 2:09 | |
| 28. | You'll Get Your Revenge | 2:12 | |
| 29. | The Following | 2:02 | |
| 30. | Meeting at the Expiatory Chapel | 0:46 | |
| 31. | The City Hall of the 18th Arrondissement | 1:21 | |
| 32. | You Want to Negociate | 1:42 | |
| 33. | Camylle's Plan | 0:58 | |
| 34. | Nash's Hesitations | 1:10 | |
| 35. | Campfire at Elessar | 2:40 | |
| 36. | Launching a Revolution | 2:30 | |
| 37. | Elessar's Rift | 0:48 | |
| 38. | Ultima Necat | 2:06 | |
| 39. | Farewell, Dina | 2:24 | |
| 40. | I Feel, I Feel | 2:12 | |
| 41. | Nash's Hesitations 2 (Bonus Track) | 1:10 | |
| 73:43 |
Virtual Revolution
Added on Tuesday, May 23, 2017
The full score of the sci-fi feature film 'Virtual Revolution', sometimes epic, sometimes more intimate, includes fully symphonic cues as well as mixes between orchestra and industrial sounds. Composed by Guy-Roger Duvert. While most of the music was composed specifically for the film, a few cues actually have an history. 'Ultima Necat' was a trailer music, used in one of the trailers of Ridley Scott's Prometheus. Several other cues were at first composed for the video game 'Assassin's Creed Unity', as Guy-Roger Duvert was auditioning to score it. Another composer was eventually picked up, which allowed Guy-Roger to keep ownership of the cues, and to adapt them for the movie.