Sony Music Japan International (4547366061383)
Anti US (0045778714124)
Movie | Release date: 03/15/2011 | Film release: 2011 | Format: CD, Download

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# Track Artist/Composer Duration
1.Welcome AmigoRick Garcia1:06
2.Rango Suite5:57
3.Certain DemiseHeitor Pereira0:23
5.Welcome To Dirt0:58
6.Name's Rango1:31
7.Lizard For LunchJose Hernandez, Anthony Zuniga, Robert Lopez1:26
8.Stuck In GuacamoleHeitor Pereira0:21
10.We Ride, Really!David & John Thum0:50
11.Rango And Beans1:04
13.The Bank's Been RobbedRick Garcia0:22
14.Rango Returns1:16
15.George Del Hoyo? - La Muerte A LlegadoRick Garcia0:44
16.It's A Miracle!1:57
17.El Canelo (Traditional)Los Lobos0:44
18.The Sunset Shot0:53
19.Walk Don't RangoLos Lobos2:47
20.Rango Theme SongLos Lobos3:29
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Rango - 08/10 - Review of Steve Ewing, submitted at
Jason FLZ, in his review of this soundtrack, brings up the point of Hans Zimmers propensity of using material from other soundtracks. While I dont think its as prevalent as Jason FLZ contends, it is nonetheless apparent in this soundtrack. But Rango has so much more going for it. With some exception, the music is great fun that does Zimmers reputation justice. Also, the inclusion of some of the dialogue from the film adds a certain cohesiveness to the tracks.

At 34 minutes, the soundtrack is anything but elaborate, with almost all of the tracks under two minutes in length. The music is neither complicated nor heavy - both of which Zimmer is known for. In fact, Rango is comparable to his recent scoring for Megamind, although I would argue this soundtrack sounds better and is more worthwhile. The track Bats, for instance, is an amusing, reworked compilation of Ride of the Valkyries and Blue Danube in a western style.

Throughout these and most other tracks, there is a great Mexican/old-time western flair that really lends the music some authenticity and flavor, and while its nothing you havent heard in thousands of other cliche western soundtracks, Zimmers ability to enmesh into this score is truly refreshing. Perhaps least surprisingly, Zimmer puts his incredible talents to work when scoring for moments of triumph during the film, providing the listener with the grand and heartening music that soundtrack listeners have come to love and expect from Zimmer.

When reviewing the soundtracks of Hans Zimmer or of those who work for his production studio, there is the unfortunate necessity to mention that some of the music is borrowed. Rango is no different. In parts of the tracks Bats, as well as nearly the entirety of Sunset Shot and Names Rango, Zimmer uses the same melody as can be found all throughout the soundtrack for K-19: The Widowmaker, which was written by Zimmers underling, Klaus Badelt. Whats more, many of the tracks written to evoke the character of Rango (voiced by Johnny Depp) sound unabashedly similar to the sauntering and swashbuckling themes Zimmer and his underlings wrote for the character Captain Jack Sparrow (also played by Johnny Depp) in the Pirates of the Caribbean films.

In all, the film has been expertly made to stand on its own two feet. Often, soundtracks are really not enjoyable unless the film is familiar to the listener, but such is not the case here. The use of small snippets of film dialogue fills in the story behind the soundtrack, making the listening experience as much its own tale as the movie itself. The tracks are short and light, full of fun and upbeat music exhibiting everything from Richard Wagner to cliche western flair. Sure, it borrows some musical elements from other soundtracks, but I think everyone expects that from Zimmer and his crew, and it alone is no reason not to listen to this soundtrack.
Rango - 06/10 - Review of Jason FLZ, submitted at
Hans Zimmer has always received criticism that he tends to borrow heavily from his previous, leaving little originality in his music. Generally I would happily defend him and say how (aside from similarities) his scores are still fresh and original. That is, up until now. Rango is an example of Zimmer literally taking pieces of his music from POTC or Sherlock Holmes and reusing them in a score where they have no place.

First, let's pick at the score itself. The 'Rango Suite' is automatically a bad sign. It is basically a combination of the pieces; Hoist The Colours/Jack Sparrow/Discombobulate with a slight western overlay. 'Rango Returns' is an inexcusable ripoff of 'Parley' from the Pirates scores (Zimmer didn't even bother to alter the track). This continues for about 10 of the 20 minutes released of the score. Fortunately, there are some hghlights. 'It's a Miracle', 'It's a Metaphor', 'Rango and Beans', and 'The Sunset Shot' are examples of Zimmer being smart about scoring. Also 'Bats' is one of the most uunique examples of a classical song being remixed (in this case; Ride of the Valkyries being parodied with banjos).

The album isn't a complete waste however, and the only thing saving it from being a lower rating are the songs. The western/mexican flavor is captured perfectly on the various tracks. The use of voices mixed in with the score itself is surprisingly not as annoying as you would imagine as it actually adds to the story. Overall, Rango is an example of Zimmer REALLY reusing and plagiarizing his own work.

Fun songs which add to the album
Zimmer's remix of 'Ride of the Valkyries'
Good orchestral/action/western pieces

Blatant rip-offs of previous Zimmer scores
Very little score music on album

Other releases of Rango (2011):

Rango (2011)
Rango (2011)

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