Cloud Atlas


Sony Classical (0794043163814)
Sony Classical (887654112026)
WaterTower Music (0794043163814)
Movie | Release date: 10/23/2012 | Film release: 2012 | Format: CD, Download
 

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# Track Artist/Composer Duration
1.Prelude: The Atlas March1:15
2.Cloud Atlas Opening Title3:47
3.Travel to Edinburgh1:42
4.Luisa's Birthmark3:00
5.Cavendish In Distress1:23
6.Papa Song4:15
7.Sloosha's HollowTom Tykwer, Johnny Klimek, Reinhold Heil, Gabriel Mounsey2:59
8.Sonmi-451 Meets Chang3:34
9.Won't Let Go4:09
10.Kesselring1:54
11.The Escape5:43
12.Temple Of Sacrifice2:03
13.Catacombs1:35
14.Adieu4:15
15.New Direction1:46
16.All Boundaries Are Conventions2:38
17.The Message2:13
18.Chasing Luisa Rey4:53
19.Sonmi's Discovery3:23
20.Death Is Only A Door3:48
21.Cloud Atlas Finale4:17
22.The Cloud Atlas Sextet for OrchestraTom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker4:57
23.Cloud Atlas End TitleTom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker7:56
 77:25
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Cloud Atlas - 07/10 - Review of Chris R., submitted at
Cloud Atlas took an interesting step in its musical direction. As with its directors, its compositional duties were handed down to three different composers. This idea outside of the movie may seem weird but it actually helps with the intertwining stories. You have the simple piano pieces, to the lavish orchestra pieces, to the high techno pieces for the future. it is weird to think that the three composers actually collaborated on a main theme and kept it consistent through their styles of music for the different time periods. There are times where the simple piano playing reminds me of a Clint Eastwood score(Not A good thing) but it quickly passes. My main problem with the score is that with all the intertwining story arcs the music doesn't really evolve any of the established themes it set out to create. Its there but that is all it does and the fact that the greatest renditions of the theme are at the beginning of the film and at the end of the film. There is truly nothing in the middle section of the score that compares with these performances. Which is weird because for the connection between all three composers theme, they don't expand on it, which makes this score just slightly above listenable.

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