# | Track | Duration | |
---|---|---|---|
1. | Scratched | 2:13 | |
2. | Dearranged | 2:30 | |
3. | Frozen | 1:56 | |
4. | Tanks | 3:05 | |
5. | Beast | 1:37 | |
6. | Mud | 2:47 | |
7. | Morbid Beauty | 3:46 | |
8. | Overtones, Pt. 1 | 4:34 | |
9. | Crank | 2:57 | |
10. | As Hungry as a Wolf | 4:18 | |
11. | Silence Is Gone | 3:30 | |
12. | Downwards | 2:56 | |
13. | Lie to Me | 2:51 | |
14. | Overtones, Pt. 2 | 3:35 | |
15. | Common Evil | 4:07 | |
16. | Maschine | 3:12 | |
17. | Wired Voices | 2:57 | |
18. | Frozen Reprise | 3:22 | |
56:13 |
Added on Thursday, April 12, 2018
In the last moments of World War II, a young German soldier fighting for survival finds a Nazi captain's uniform. Impersonating an officer, the man quickly takes on the monstrous identity of the perpetrators he is trying to escape from.
In the last moments of World War II, a young German soldier fighting for survival finds a Nazi captain's uniform. Impersonating an officer, the man quickly takes on the monstrous identity of the perpetrators he is trying to escape from.
The Captain’s score was composed by German Martin Todsharow.
After 5 years of study at the Musikhochschule “Hanns Eisler” Berlin in the early 90’s (piano and counterpoint/composition), Martin Todsharow first composed for the theatre before going to the UK.
As a performer in pop and art music, he became in 1997 a full film composer and a music supervisor. He composed the score to Tattoo (Robert Schwentke) and Sommerfest (Soenke Wortmann).
He composed for The Captain a dark and intense score that pushes the surrealistic and strained adventure of the captain.
http://todsharow.com/