# | Track | Artist/Composer | Duration |
---|---|---|---|
1. | I Nostri Mariti | Armando Trovajoli | |
2. | Amore All'italiana M1 | Robby Poitevin | |
3. | Tempo Di Charleston | Enrico Simonetti | |
4. | Colpo Gobbo All'italiana Seq.2 | Piero Umiliani | |
5. | Non Mi Dire Mai Goodbye | Amedeo Tommaso | |
6. | Desideri D'estate | Gino Peguri | |
7. | Un'ora Per Vivere | Nino Tassone | |
8. | Amarsi Male | Silvano Spadaccino | |
9. | la Donna È Una Cosa Meravigliosa M14 | Piero Umiliani | |
10. | la Corruzione M20 | Giovanni Fusco | |
11. | la Moglie Giapponese M2+M16 | Nino Oliviero | |
12. | la Ragazzola M49 | Romano Mussolini | |
13. | Questa Volta Parliamo Di Uomini | Luis Bacalov | |
14. | L'uomo Del Colpo Perfetto M38 | Robby Poitevin | |
15. | Una Jena in Cassaforte M13 | Gianfranco E Gianpiero Reverberi | |
16. | Avventura Al Motel M14 | Franco Potenza |
Added on Monday, March 19, 2018
A volume entirely dedicated to the jazz atmospheres of the Italian movies from the '60s, including genres such as noir, melò, giallo, dark comedy and crazy 'musicarelli'. With a great variety of styles and moods, jazz represented the perfect soundtrack for the Italian 'nouvelle vague' season: an element of great innovation that radically disrupted the way traditional scores were conceived. No longer entrusted to cumbersome orchestras but light combos, with a fresh and dynamic sound. This record is the result of a research that focused on the soundtrack archive of RCA Italy and consists of songs that have remained unpublished until today. It demonstrates how Italian jazz bene?tted from it's relationship with the ?lm industry, which provided a fertile ground to experiment and create to great musicians such as Piero Umiliani, Romano Mussolini, Amedeo Tommasi, Robby Poitevin, Piero Piccioni or Armando Trovajoli.