# | Spur | Dauer | |
---|---|---|---|
Richard II: incidental music (1944) | |||
1. | Prelude (Lento–Allegro moderato–Andante sostenuto) | ||
2. | I Act I scene 1 (Moderato–Harsh) / II Transition to Act I scene 2 (Allegro–Lento (Foreboding) / III Transition to Act I scene 3 (Lento–Allegro eroico) | ||
3. | I Act I scene 3, flourish for entrance of Richard and attendants (Allegro) / II Act I scene 3, flourish for entrance of Bolingbroke (Allegro) / III Act I scene 3, flourish for start of trial (Maestoso) / IV Act I scene 3, flourish for combatants’ charge (Maestoso) / V Act I scene 3, flourish to end trial (Maestoso) / VI Act I scene 3, exit of Richard and attendants (Allegro moderato) | ||
4. | I Transition to Act I scene 4 (Lento–Allegro) / II Transition to Act II scene 1 (Allegro moderato–Lento) / III Act II scene 1, exit and death of John O’Gaunt (Allegro moderato–Lento) / IV Transition to Act II scene 2 (Allegro–Lento) / V Transition to Act II scene 2 (Moderato) / VI Transition to Act II scene 2 (Moderato) | ||
5. | Transition to Act II scene 3 (Lento) / To beat Bolingbroke back ...–Bushy | ||
6. | Transition to Act II scene 4 / Act III scene 1 (Moderato–Lento–Largo) / Things past redress are now with me past care–York | ||
7. | I Transition to Act III scene 2 (Alla marcia) / II Transition to Act III scene 3 (Andante sostenuto–Despairing) | ||
8. | I Act III scene 3, flourish and entrance of Richard and attendants on the walls (Moderato–Largo–Solemn) / III Act III scene 3, exit of Richard and attendants (Largo) | ||
9. | I Transition to Act III scene 4 (Largo–Andante con moto) / II Transition to Act IV scene 1 (Agitato–Più lento–Maestoso) / III Act IV scene 1, entrance of York and Richard (Allegro) / IV Act IV scene 1, exit of Richard (Lento–Poco meno lento) / V Transition to Act IV scene 2 (Moderato–Andante con moto) / A plot shall sow us a merry day–Abbot | ||
10. | Underscoring and transition to Act V scene 2 (Andante sostenuto–Sorrowful) / In wooing sorrow let’s be brief– Richard | ||
11. | I Transition to Act V scene 3 (Allegro) / II Transition from Act V scene 4 to Act V scene 5 (Lento) | ||
12. | I Act V scene 5 (Lento) TOM DUNN solo viola / Music do I hear?–Richard / II Act V scene 5, entrance chord of groom | ||
13. | Act V scene 5, death of Richard (Andante moderato–Death) | ||
14. | Act V scene 6, entrance of Exton and finale (Maestoso) / High sparks of honour in thee have I seen–Bolingbroke | ||
Fantasia on Sussex Folk Tunes for cello and orchestra (1929)NR | |||
15. | Lento (Salisbury Plain) | ||
16. | Allegro scherzando ma non troppo (The Long Whip) | ||
17. | Andante sostenuto (Low down in the Broom) | ||
18. | Allegro (Bristol Town) | ||
19. | Pesante (I’ve been to France)–Cadenza | ||
Suite de Ballet (ca. 1913)AN Arranged for flute and string orchestra by Roger Steptoe (1989) | |||
20. | I Improvisation (Andante) | ||
21. | II Humoresque (Presto) | ||
22. | III Gavotte (Quasi lento) | ||
23. | IV Passepied (Allegro vivacissimo) | ||
Songs of Travel (1901-04)RW Words: Robert Louis Stevenson (1850-94) Orchestrated by Ralph Vaughan Williams (1905), except *orchestrated by Roy Douglas (1961-62) | |||
24. | The Vagabond (Allegro moderato) | ||
25. | Let Beauty Awake (Moderato)* | ||
26. | The Roadside Fire (Allegretto) | ||
27. | Youth and Love (Andante sostenuto)* | ||
28. | In Dreams (Andantino) | ||
29. | The Infinite Shining Heavens (Andante sostenuto)* | ||
30. | Whither Must I Wander (Andante)* | ||
31. | Bright is the Ring of Words (Moderato risoluto) | ||
32. | I Have trod the Upward and the Downward Slope (Andante sostenuto) |