The Appalachians


TV Series/TV film Documentary | Release date: 04/11/2005 | Film release: 2005 | Format: CD
 

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# Track Artist/Composer Duration
1.Title theme: East River of Shannon-Instrumental (excerpt) 
2.BoozefightersGandydancer 
3.The Road To KaintuckJune Carter Cash 
4.I Wonder How The Old Folks Are At HomeMac Wiseman 
5.Waiting For A TrainJimmie Rodgers 
6.How Can A Poor Man Stand Such TimesBlind Alfred Reed 
7.Bury Me Under The Weeping WillowThe Carter Family 
8.We're Stole And Sold From AfricaAddie Graham 
9.NorthfieldAlabama Sacred Harp Singing Convention 
10.Wildwood FlowerThe Carter Family 
11.Down On The Banks Of OhioBlue Sky Boys 
12.Title theme: East River of Shannon-Instrumental 
13.East River Of ShannonInstrumental 
14.Dark As A DungeonJeff Black 
15.Which Side Are You On?-Pete Seeger 
16.When This World Comes To An EndMaggie Hammons 
17.Amazing GraceRose Bell 
18.Hillbilly FeverThe Osborne Brothers 
19.Old Camp Meeting TimeGrandpa Jones 
20.Soldier Of The CrossRicky Skaggs 
21.Price Of ProgressJason Ringenberg 
22.Wildwood Flower InstrumentalDavid Grisman 
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Stretching across the traditional North-South delineation of America's original colonial core, yet linking them as firmly as a spine, the Appalachian Mountains have had a central role in American industry, culture, and politics for centuries. While PBS's documentary series examines every facet of that history, this 22-track soundtrack companion focuses on the region's impossibly rich musical legacy. Along with jazz and the blues, the music of Appalachia remains one of America's most primal and consistently influential (as evidenced by the revivalist successes of Oh Brother, Where Art Thou? cultural treasures. The collection performs a tricky tightrope walk between tradition and its contemporary echoes, and artists from Jimmie Rodgers (the sublime 'Waiting For a Train') and the Cash and Carter clans to contemporary stars like Rickie Skaggs and Jason Ringenberg, yet its most compelling moments seem rooted not in recording studios, but the region's rocky soil. The Alabama Sacred Harp Singing Convention's haunting, African-rooted harmonies on 'Northfield' and eerie a cappella of Maggie Hammon's 'When This World Comes to an End' stand in stark contrast to the disturbingly frank musings of the Blue Sky Boys' murderous 'Down on the Banks of the Ohio.' These are but three of the highlights on this evocative anthology. --Jerry McCulley


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