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Track
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Artist/Composer |
Duration
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1. | Overture | Orchestra | 5:23 |
2. | What a Pity / It's Great to Be Alive | Ralph Herbert & Hope Holiday | 4:09 |
3. | A Thousand and One Nights | William Chapman & Helena Scott | 3:45 |
4. | The Grand Vizier's Lament | Ralph Herbert | 5:41 |
5. | Hail to the Sultan | Lauritz Melchior & Ralph Herbert | 3:46 |
6. | The Hero of All My Dreams | Helena Scott | 3:09 |
7. | A Whale of a Story | William Chapman & James McCracken | 2:58 |
8. | The Bath Parade | Gloria van Dorp | 3:00 |
9. | How Long Has It Been? | William Chapman & Helena Scott | 3:42 |
10. | Teenie Weenie Genie | Hope Holiday | 2:20 |
11. | A Long Ago Love | Lauritz Melchior | 2:30 |
12. | Marry the One You Love / Finale | Lauritz Melchior & Chorus | 3:49 |
13. | It's Great to Be Alive (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:24 |
14. | A Thousand and One Nights (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:29 |
15. | The Hero of All My Dreams (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:49 |
16. | A Whale of a Story (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:43 |
17. | How Long Has It Been? (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:51 |
18. | Teenie Weenie Genie (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:59 |
19. | A Long Ago Love (Bonus Track) | Guy Lombardo & His Royal Canadians | 3:12 |
20. | Marry the One You Love (Bonus Track) | Guy Lombardo & His Royal Canadians | 2:08 |
21. | A Thousand and One Nights (Bonus Track) | Gary Mann | 2:42 |
22. | How Long Has It Been? (Bonus Track) | Margaret Whiting | 2:54 |
| | | 71:22 |
The musical extravaganza Arabian Nights, some call it an “aquatic operetta”, was developed and produced by bandleader Guy Lombardo and premiered at the newly built 8,200-seat Jones Beach Marine Theatre, Long Island, in 1954 for the summer season, and revived the following year.
Arabian Nights retold the tale of Scheherazade, who regaled her husband the Sultan with a different tale a night in order to distract him from having her beheaded the next day. Characters included a Genie, Sinbad, Aladdin and a Chinese Emperor. The tuneful score was by Carmen Lombardo and John Jacob Loeb. They had previously come up with pop hits for Lombardo’s band that included “Boo-Hoo” (1937) and “Seems Like Old Times” (1945). From the score, the love duets “How Long Has it Been?” and “A Thousand and One Nights” had a longing appeal, and the lilting waltz “Marry the One You Love” proved an effective crowd-pleaser.
Lauritz Melchior, the celebrated Danish Heldentenor and Metropolitan Opera star, was invited to star as the Sultan/Chinese Emperor. Also in the large cast was the young baritone William Chapman (later of the New York City Opera), Helena Scott, a lovely soprano with considerable experience with Rodgers & Hammerstein, and real elephants. At least 112 people were on stage at the finale and a full orchestra as well as a large actual Chinese junk that floated in and a show-stopping 70-foot floating whale being tooth brushed by Sinbad’ sailors.
Bonus tracks are excerpts from the show recorded by Guy Lombardo’s band, with Kenny Gardner and the Lombardo Trio doing most of the singing on the Lombardo-ised foxtrots, waltzes and beguine numbers.