# | Track | Artiste/Compositeur | Duration |
---|---|---|---|
THE PAWNBROKER | |||
1. | Theme from The Pawnbroker | 3:09 | |
2. | Main title: The Pawnbroker | 3:44 | |
3. | Harlem drive | 1:57 | |
4. | The naked truth | Quincy Jones and His Orchestra | 4:11 |
5. | Otez's night off | 5:01 | |
6. | Theme from The Pawnbroker | 4:08 | |
7. | How come you people | 2:51 | |
8. | Rack 'em up | Don Elliott | 2:41 |
9. | Death scene | 5:01 | |
10. | End title: The Pawnbroker | 3:09 | |
11. | Theme from The Pawnbroker | Sarah Vaughan | 2:34 |
THE SLENDER THREAD | |||
12. | Preludium (main title part II) | 2:24 | |
13. | Main theme (main title part I) | 2:04 | |
14. | Threadbare (main title part III) | 2:21 | |
15. | Aftermath | 2:43 | |
16. | Fox's sugar | 3:29 | |
17. | Funny farm | 1:34 | |
18. | Theme for Inga | 2:33 | |
19. | Psychosis | 3:11 | |
20. | No place to go | 3:11 | |
21. | Big sir | 2:11 | |
64:07 |
# | Track | Artiste/Compositeur | Duration |
---|---|---|---|
MIRAGE | |||
1. | Mirage | 2:21 | |
2. | Boobie baby | 3:16 | |
3. | Shoot to kill | 2:30 | |
4. | Dead duck | 3:22 | |
5. | Purple prose | 3:09 | |
6. | Main title | 2:51 | |
7. | Mirage | 3:35 | |
8. | Turtle's last lap | Quincy Jones and His Orchestra | 1:41 |
9. | A shot in the park | 4:10 | |
10. | Kinda scary | 4:33 | |
11. | End title | 2:58 | |
THE DEADLY AFFAIR | |||
12. | Who needs forever? | Astrud Gilberto | 3:08 |
13. | Dieter's first mistake | 4:53 | |
14. | Main theme: The Deadly Affair (vers. no. 1) | 2:12 | |
15. | Medley: postcard signed | Quincy Jones and His Orchestra | 5:40 |
16. | Main theme: The Deadly Affair (vers. 2) | 3:06 | |
17. | Don't fly if it's foggy | 1:13 | |
18. | Blondie-tails | 1:18 | |
19. | Main theme: The Deadly Affair (vers. 3) | 2:07 | |
20. | Ridiculous scene | 1:49 | |
21. | Body on elevator | 0:58 | |
22. | Bobb's at gunpoint | 0:48 | |
23. | End title: The Deadly Affair | 1:43 | |
63:21 |
# | Track | Duration | |
---|---|---|---|
IN THE HEAT OF THE NIGHT | |||
1. | In the Heat of the Night | 2:33 | |
2. | Beyond the Paradise of Lies | 1:35 | |
3. | Cotton curtain | 2:42 | |
4. | Where whitey ain't around | 1:29 | |
5. | Whipping boy | 1:32 | |
6. | No you won't | 1:35 | |
7. | Nitty gritty time | 1:55 | |
8. | It sure is groovy ! | 2:35 | |
9. | Bowlegged polly | 2:03 | |
10. | Shag bag, hounds & Harvey | 3:32 | |
11. | Chief's drive to mayor | 1:07 | |
12. | Give me until morning | 1:12 | |
13. | On your feet, boy ! | 1:47 | |
14. | Blood & roots | 1:12 | |
15. | Mama Caleba's blues | 5:34 | |
16. | Foul owl | 2:33 | |
TRUMAN CAPOTE'S IN COLD BLOOD | |||
17. | In Cold Blood | 2:49 | |
18. | Clutter family theme | 2:05 | |
19. | Hangin' paper | 2:10 | |
20. | Down clutter's lane | 2:44 | |
21. | Seduction | 2:36 | |
22. | Perry's theme | 3:25 | |
23. | Lonely bottles | 2:39 | |
24. | No witnesses | 2:15 | |
25. | I'll have to kill you | 2:28 | |
26. | Nina | 3:58 | |
27. | Murder scene | 2:03 | |
28. | The corner | 2:53 | |
67:01 |
# | Track | Duration | |
---|---|---|---|
WALK DON'T RUN | |||
1. | Happy feet | 2:10 | |
2. | Stay with me | 2:54 | |
3. | Copy cat (wack a do) | 2:56 | |
4. | Happy feet | 1:44 | |
5. | Papa san | 1:48 | |
6. | Abso-bleedin'-lutely | 2:47 | |
7. | Stay with me | 2:19 | |
8. | One more time | 2:47 | |
9. | 20th century drawers | 3:07 | |
10. | Locked out | 2:12 | |
11. | Happy feet | 1:40 | |
12. | Rabelasian rutland | 1:57 | |
13. | One more time | 0:44 | |
THE ITALIAN JOB | |||
14. | On days like these | 3:38 | |
15. | Something's cookin' | 2:29 | |
16. | Hello Mrs. Beckerman! | 1:01 | |
17. | Britannia and Mr. Bridger-if you please | 1:59 | |
18. | Trouble for Charlie | 1:46 | |
19. | On days like these | 3:09 | |
20. | It's caper time (the self preservation society) | 3:13 | |
21. | Meanwhile, back in the mafia | 1:22 | |
22. | Smell that gold! | 1:31 | |
23. | Greensleeves and all that jazz | 2:05 | |
24. | On days like these | 1:13 | |
25. | Getta bloomin' move on! (the self preservation society) | 3:53 | |
56:24 |
# | Track | Duration | |
---|---|---|---|
THE LOST MAN | |||
1. | The Lost Man (main title) | 2:46 | |
2. | Sweet soul sister | 2:45 | |
3. | Slum creeper | 3:23 | |
4. | Rap, run it on down | 2:32 | |
5. | He says he loves me | 3:48 | |
6. | Main squeeze | 2:48 | |
7. | Try, try, try | 2:48 | |
8. | Need to be needed | 3:46 | |
9. | Up against the wall | 4:19 | |
10. | He'll wash you whiter than snow | 2:20 | |
11. | End title | 2:02 | |
JOHN & MARY | |||
12. | Maybe tomorrow | 3:12 | |
13. | Bump in the night | 1:59 | |
14. | Main title | 2:49 | |
15. | Silent movies | 2:12 | |
16. | Maybe tomorrow | 4:18 | |
17. | Lost in space | 3:16 | |
18. | Maybe tomorrow | 3:59 | |
THE GETAWAY | |||
19. | Love theme from The Anderson Tapes-faraway forever | 2:34 | |
20. | Love thème from The Getaway (faraway forever) | 3:45 | |
61:21 |
# | Track | Artiste/Compositeur | Duration |
---|---|---|---|
Q'S HIGHLIGHTS | |||
1. | Soul bossa nova | 2:45 | |
2. | Call me Mister Tibbs ! | 4:32 | |
3. | The time for love is anytime | 2:48 | |
4. | Theme from The Anderson Tapes | 5:14 | |
5. | The out of towners-main title | 2:37 | |
6. | The Split-main title | 3:04 | |
7. | It's just a game, love | 4:33 | |
8. | Funny money, end title card | 3:29 | |
9. | Is this what feeling gets? (Dorothy's theme) | Diana Ross | 3:14 |
10. | Ironside (theme from NBC-TV) | 3:52 | |
11. | Eyes of love | 3:29 | |
12. | Hikky burr | 4:00 | |
13. | The spell you spin (the web you weave) | 2:37 | |
14. | Sanford & Son theme - NBC-TV (the streetbeater) | 3:03 | |
15. | Miss Celie's blues (sister) | 2:29 | |
16. | Money is | 4:27 | |
17. | Many rains ago (oluwa) (African th�me/english version) | Quincy Jones Orchestra | 4:45 |
18. | The Q cinema suite | Jean Michel Bernard | 6:33 |
67:31 |
Ajouté le Vendredi, 28 Octobre, 2016
Pour la première fois, voici réunies les grandes partitions de cinéma de Quincy Jones, remasterisées en version intégrale.
Il a fallu mener un long jeu de pistes pour retrouver et restaurer les bandes masters concernées, pour reconstituer le puzzle d'un fragment de vie entièrement voué à l'écriture pour l'image.
'J'ai voulu écrire des musiques de films dès l'âge de quatorze ans » affirme Quincy. Ce rêve est devenu réalité dix-huit ans plus tard, en 1965, avec The Pawnbroker de Sidney Lumet'.
Le cinéma de Quincy Jones, ce sont sept années d'une grande intensité, une parenthèse enchantée (1965-1972) prolongée par The Wiz, film de sa rencontre avec Michael Jackson, et surtout La Couleur pourpre de Steven Spielberg.
L'étape cinéma va être décisive dans la reconnaissance de son talent : jusqu'alors auréolé d'une réputation d'arrangeur virtuose, c'est Hollywood qui va installer et confirmer Quincy Jones en tant que compositeur.
Pour Quincy Jones, écrire pour le cinéma, c'est aussi faire la synthèse de ses différentes cultures : be bop, soul, rhythm and blues, dodécaphonisme, bossa.
Objectivement, le territoire cinématographique de Quincy Jones est bien plus vaste qu'on ne l'imagine a priori.
A sa manière, cette luxuriante anthologie cherche à en dresser la carte.