Rapsodia Satanica / Il Gattopardo
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| # | Pista | Duración | |
|---|---|---|---|
| RAPSODIA SATANICA (1917) | |||
| 1. | Prolog | 6:47 | |
| 2. | Teil 1 | 24:23 | |
| 3. | Teil 2 | 15:18 | |
| IL GATTOPARDO (THE LEOPARD / 1963) | |||
| 4. | Title music | 3:08 | |
| 5. | Nr. 6 (ohne Satzbezeichnung) | 5:45 | |
| 6. | Nr. 19 (ohne Satzbezeichnung) | 3:18 | |
| 7. | Nr. 11 Angelica e Tancredi | 2:35 | |
| 8. | Finale | 0:58 | |
| 62:12 |
Frank Strobel conducts Deutsche Staatsphilharmonie Rheinland-Pfalz
Pietro Mascagni’s single work for the early days of cinema was composed in winter time 1914/15. The idea of the film director Nino Oxilia was to create a “Poema cine-musicale”, a synthesis of the arts with music, poetry and finally cinematography. The plot is something like a female version of “Faust”, based on a poetry by Fausto Maria Martini. Mascagni itself conducted the first performance in July 1917 and orientated his composition near to Richard Wagners musical language.
The French-German TV channel Arte restored this treasure of early cinema in 2006 and recorded the complete film music score which is now available also on CD. -CAPRICCIO RECORDS
Pietro Mascagni’s single work for the early days of cinema was composed in winter time 1914/15. The idea of the film director Nino Oxilia was to create a “Poema cine-musicale”, a synthesis of the arts with music, poetry and finally cinematography. The plot is something like a female version of “Faust”, based on a poetry by Fausto Maria Martini. Mascagni itself conducted the first performance in July 1917 and orientated his composition near to Richard Wagners musical language.
The French-German TV channel Arte restored this treasure of early cinema in 2006 and recorded the complete film music score which is now available also on CD. -CAPRICCIO RECORDS